Notes On Video

If you're shooting with a DSLR or a budget camcorder, you've probably run into the limitations of internal mics. While buying a better mic is half the solution, actually connecting it to the camera can still be a problem, particularly if you want to use professional condenser mics that require phantom power. Adapters like the Beachtek DXA-6A Audio Adapter are one solution (depending on your camera and mic combination) but things can get awfully messy; the adapter box is one more thing to deal with. Sometimes it's easier - and simpler - to use a separate recording device. In the realm of portable recording devices there's a lot of choices, with no obvious "right" one, though the Zoom H4n is inexpensive and has proved popular with low-budget and independent filmmakers. Philip Bloom says of the H4n : The Zoom H4n is a remarkable little device. It records everything from .mp3 48khz to 24bit 96khz. It has built in stereo condenser microphones and two XLR inpu

The small rugged action camera category seems to be expanding rapidly. First the Contour HD and the GoPro HD , and now comes the Drift Innovation X170 . The really interesting thing about this one is that it comes with a wireless RF remote control. It also has an LCD display and fairly large control buttons on it's side, which should make operation much easier; I find the Coutour HD a little lacking in that department. The Drift is larger than the Contour, but for many situations I'd be willing to sacrifice a bit of size for easier control and operation. Unfortunately, it only captures 720 x 480 i.e. Standard Def. A 720p camera would have been useful - and useable - but SD is too big of a loss.

Richard Harrington has posted some videos at Creative COW on various features in the new Adobe Creative Suite 5 . They are short overviews (less than five minutes long) that feature really clear video/screen captures and are a good quick introduction. I've listed the After Effects ones below, though he's also done a couple of Photoshop ones: A fter Effects CS5 : Black & White Adjustment (adjustment layer for creating black & white effects/adjustments) After Effects CS5 : Color Finesse (color adjusting and grading plug-in for After Effects that does some of the things found in Apple Color ) After Effects CS5 : Working with 64-Bit (shows how you can assign and manage RAM within the suite when running in 64-bit, and even assign multi-processor cores to specific applications.) After Effects CS5 : Rotobrush

If those Zeiss Compact Lenses are a bit outside your price range, then perhaps the Zeiss Lightweight Zoom LWZ.2 might be an option? Focal range is 15.5 - 45mm, with aperture T2.6-T22. It will be available in PL, EF and F mounts, though note that it will fit APS-C sizes sensors, but not full-frame sensors. Compared to the Compact Primes , you're gaining a zoom range, but losing the full-frame compatability, so Canon 5D owners need not apply. I'm guessing the net effect will be a price about the same as the Compact Primes ($4,000) and maybe higher. Still, it should be a very nice lens for the DSLR film maker. No word on availability or price...

It has been pointed out to me that I've been referring to the new Canon's as the FX300/305, rather than the XF300/305. Ouch! I blame it on the fact that I own an FX1... Anyway, B & H Photo now has the Canon XF300 and XF305 up for pre-order, with a delivery date of "Appox. Arrival June." Price is $6,799 and $7,999.

It's the end of NAB and it's also our first annual Not-the-NAB Awards [ our lawyers felt it was important to be clear that our awards have nothing to do with the NAB organization-Ed ] So now it's time to name the most coveted gadgets - and the biggest disappointments - from this years NAB show. Biggest Surprise Rather than a company or product, this award goes to the entire industry for the lack of 3D cameras . I'm not a 3D fan, but I really thought that someone would announce a consumer level 3D camera at the show. Sure, it would be awfully limited, but was it unreasonable to expect one of the big companies (like Sony or Samsung) to do it? I also thought Sony would roll out - or hint at - a pro-level 3D camera of some sort but if they did, I missed it [ they evidently did , but it didn't get much coverage - Ed ]. Instead, Sony hinted at a "cinema" kind of digital camera that looks like a RED competitor. Biggest Tease Award No price, no specs,

NikonRumors.com reports that Nikon has new DSLRs coming [ yes, we're shocked-Ed ]. The most interesting thing is that Nikon might finally move to 1080p with a camera that does 1080 at 24fps. That's particularly interesting given how well the Nikon D3s did in low light in the recent Great Camera Shootout .

The first USB 3.0 certified devices only appeared back in January, so I guess we can't really be surprised/upset that the MacBooks just announced don't have USB 3.0. If I'm honest, it hadn't even occurred to me that it was a problem until a friend complained about the lack yesterday. But USB 3.0 devices are starting to appear, and it seems obvious that videocameras will be one market segment that will take advantage of this new spec. Just this week, Blackmagic announced the $199 Intensity Shuttle - available in May - a 10-bit HDMI and analog video capture and playback box that works with USB 3.0.  Blackmagic Intensity Shuttle

Some pics of the RED Epic - the 5K camera that is expected sometime in the future - can be found at the Reduser.net website. Actually, the camera is now expected in September. There's also an update on Scarlet - the cheaper camera that may challenge the Canon 5D and similar cameras. It is expected a couple of months after Epic .

There's now a web page for the Small HD DP-SLR monitor . It's 1280 x 800 pixels, 4 x 6 x 1 inches, weighs 10 ounces, and will set you back $899 for HDMI version. If you want 3G/HD/SDI it will cost $1199. They are promising delivery within 75 days of the purchase date .

For some reason, someone thought it was necessary to post the following press release that includes the "analysis" of an LCD TV written for a B2B website in China named Himfr.com. Unfortunately, the analysis seems to be a very detailed - yet pointless - description of the product: Himfr Analyzes Haier LCD TV BEIJING, April 15 /PRNewswire-Asia/ -- Himfr.com, one of China's leading B2B search platforms with more than 30 B2B industry websites to its name, analyzes Haier's LB42R3 LCD TVs The Haier LB42R3 TV has a predominantly white-coated body, while the left and right sides, and the bottom arc, are adorned with an elegant silver color . Haier uses the world's leading design technology, and the special benzene coating adds a bright and smooth finish . The Haier LB42R3 TV's corner has lines showing an aesthetic shape, the upper left corner has the "MO-CARD" logo, the lower part of the body has the Haier LOGO icon and has titanium silver metallic col

I always enjoy those warnings in Japanese electronics manuals against bathing with your electrical device, or putting it in a blender. But now it appears that 3D TVs are dangerous even when used the way they are intended, if the warnings that Samsung has posted are to be believed: WARNING Children and teenagers may be more susceptible to health issues associated with viewing in 3D and should be closely supervised when viewing these images. PHOTOSENSITVE SEIZURE WARNING AND OTHER HEALTH RISKS Some viewers may experience an epileptic seizure or stroke when exposed to certain flashing images or lights contained in certain television pictures or video games. If you suffer from, or have a family history of epilepsy or strokes, please consult with a medical specialist before using the 3D function. Even those without a personal or family history of epilepsy or stroke may have an undiagnosed condition that can cause photosensitive epileptic seizures. Pregnant women, the elderly, suf

Zeiss' Compact Prime lenses won't be available until June , but that doesn't mean you can't see some cool eye candy and get all excited about it....Zacuto has a short video that shows their new DSLR Baseplate System being used with a Zeiss Compact Prime lens. Notice that the CP lens has a 1/4 20 mounting area on the lens as a secondary support to prevent movement of the camera/lens when focusing the lens. - Man! That's a big piece of glass! Zacuto: ZEISS Compact Prime CP.2 Lenses hits the HDSLR Market! [ UPDATE 12:45PM ] Individual list price for the Compact Prime lenses is $3,900! Or buy them all in a set for about $3,300 each!

Surprisingly (because I am a 3D skeptic), one of the most interesting talks at the  SuperMeet  meeting was Tim Dashwood's do-it-yourself 3D demo. After introducing the concept of interocular separation (the distance between the eyes, which is about 2.5 inches) he warned that it's important to avoid too much convergence; things coming "close" and forcing the viewers eyes to cross.  Excessive convergence is okay only for a fraction of a second (i.e. for quick gags) but must be avoided otherwise. Remember the 1/30 rule he advised: interocular x 30 = closest subject. Note that while interocular is used for the distance between eyes, interaxial is the correct term for the distance between the two lenses; except that a lot of people use interocular for both. The opposite of convergence is divergence, which he said is really, really bad and must be avoided too. Tim demoed a basic rig he built for two Canon T2i's using a 4 x 6 inch piece of 50/50 beam splitter glass

Firmware Version 1.2.1 incorporates the following improvements and fixes. Extends the timing at which the high temperature warning indicator is displayed and the timing of automatic shut down of the camera due to a rise in internal temperature during Live View or EOS Movie functions. Optimizes program shift when the ISO setting of the camera is set to AUTO. Corrects a misspelling in the French-language menu. Corrects a phenomenon in which vertical magenta-colored banding appears in still images taken in movie-shooting mode. (This only occurs when in Manual exposure mode and when the ISO speed is set to "H". Note that this phenomenon only affects units with Firmware Version 1.2.0)

A couple of educational resources from Canon were high-lighted at yesterdays SuperMeet : the web page  Canon Digital Learning Center  collects together news, information, tips & techniques for Canon users and owners.  Canon Live Learning is Canon's offering of  Workshops and Classes that are conducted throughout the country. A couple of current offerings of HD Video are intriguing; a one-day course that costs $300 and is being offered in ten cities, and a three day advanced course that costs $1,400 and is being offered in four cities. Exploring HD Video with EOS $300 9:00AM - 5:00PM Learn from Explorer of Light Bob Davis in this hands-on workshop. Bob Davis is an award-winning photographer for the Chicago Sun-Times who has now mastered the techniques of EOS HD video. You’ll learn core skills ranging from producing, directing, and lighting, to camera operation and scene creation. Bob will discuss lens selection, camera support and audio consideration as you work in sm

Manfrotto has a new tripod head, the 504HD, designed for “cross over” (i.e. DSLR) users. This head looks interesting as it's easily balanced (and adjusted) for cameras that are mounted on other rigs and therefore might be forward heavy or otherwise oddly-balanced. It will be available end of June, and with a good set of sticks - and a bag - it will cost about $750. The following comes from their web site: The bridge design improves the head's rigidity and its PAN friction control is fast, simple to fine-tune and protected from knocks. The PAN axis rotation unit uses ball bearings for smooth, vibration-free movement that can be adjusted using the head's FDS variable friction system. The 504HD has a load capacity of up to 7.5kg (16.5lb.) The CBS counterbalance system has 4 presets for a full range of camera weights (0, 2.5kg-5.5lb, 5kg-11lb and 7.5kg-16.5lb). Two 3/8” threads on the top plate allow accessories (such as monitors and arms) to be directly attached to the h

Last night was the Las Vegas SuperMeet , the semi-regular get together of video editors sponsored by various Final Cut Pro user groups; there are over 60 throughout the world. Here are some highlights from the event: Canon Paul McAniff from Canon talked up their new solid-state camcorders. Noting that some in the crowd at the SuperMeet were probably hoping for bigger sensors, he pointed out that there was still a large market for cameras like the XF300/305 for electronic news gathering and similar tasks. He also noted that there were many issues with going to larger sensors; as one example, the cost of a lens equivalent to the zoom range on the XF models would be very high. He said that there wasn’t going to be a large sensor camcorder “this year,” then quickly added that he was not insinuating that there would be one next year. He claimed that the 1/3 inch sensors in the XF camcorders had the sensitivity of some competing 1/2 inch sensors. He also said that the lens had no fluo

Redrock Micro has posted pictures - but not much else - to the microRemote page on their website. NOTE: If you're interested in being the first to get your hands on this device, you should send them an email to be put on the reservation list (it's non-binding and no deposit is required.)

New MacBook Pros Gizmodo got their hands on a 2.66 GHz Core i7 MacBook Pro , and when re-encoding with handbrake 64 it smoked the earlier 2.8GHz Core Due at 19.54 seconds vs. 32.19. I want one! More on Red Rock Micro FreshDV has another Red Rock Micro wireless follow-focus video. There's nothing really new here, but I feel compelled to note it as they have nothing on their site yet - notice that when demoing he says that "the control surface drops down into the remote, and you can drop in an iPhone"....except he doesn't show any of that happening, just picks up the second unit. DaVinci color system drops price Before there was Apple's Color , there was the DaVinci Resolve system, which cost lots of bucks. In the past year or so, a number of small production houses have started using Color because it's so much cheaper. Now Blackmagic, who bought DaVinci last year, have fired back by dropping the price of the software-only version to $995. If you w

Don't forget that the SuperMeet is tonight, and if you can't be in Las Vegas, you can watch it streamed live at 9:15pm EDT. It says you can sign up starting at 3pm. Should be some interesting presentations on Canon's new flash-based camcorders, Adobe Creative Suite 5 , and other things.

Evidently there is an International Digital Emmy Awards. [ Each modifier drops the value of the award 50%. International? Digital? Who was the competition; the piano playing cat? - Ed ] New Zealand made history by winning its first International Emmy - [ exactly how long has the International Digital Emmy been going on? Two years?-Ed ]. They took the Digital Program: Children & Young People category with Reservoir Hill , an interactive web series that follows 16-year-old Beth Connolly as she is forced to solve a mystery when she moves to a creepy suburb. [ When you're 16, aren't all suburbs "creepy" - Ed ] Neat!  [ Does that mean they get to put up the Wellywood sign now? Oh wait, that's the Oscars -Ed ]

If you’re interested in Panasonic’s upcoming 3D HD camera, the 3DA1, then check out the video of their Press Conference at NAB. They loaned the camera to a couple of 3D filmmakers for a day, let them play with it, and then had them up on stage to deliver a few awkward words about it. Actually, they seemed to like it. Two of the speakers were Pierre de Lespinois and Mick Pacifici from Evergreen films who recently shot a 3D concert film of the Dave Matthews Band called “ Larger than Life ” – though not with this camera, and more on that below. Wayne Miller from Action 3D also got to play with the 3DA1. They really liked the weight of it. At 6lbs, it’s a lot lighter than the rigs they are currently using, and they think it will make it possible to shoot a lot more setups than they can currently. “I’m excited because it means my back is going to get a little less work in the future having a lighter camera.” They also said that it usually takes from one to three days to calibrate

There's a video at Vimeo that shows a bit from the session where Sony previewed their affordable 35mm cinema camera. "The next stop on Sony's digital 35mm roadmap will be a smaller, more affordable camcorder. This entry-level 35mm model will be released prior to NAB 2011, it's not quite ready for the show floor, but we wanted to give you an advance peak at this new camera. This new camera will easily fit into the existing post-production workflows and will have all of the features that you would expect from a professional Sony 35mm camera. Our goal is to establish a 35mm camera lineup for every budget without the need for never ending firmware upgrades or workflow issues." Hmm...." never ending firmware upgrades " - who could that be - RED - in reference to? And when they say "affordable" and "entry-level" are they comparing to the cost of RED cameras, or the current entry level of HD DSLRs? Time will tell. Since I'm more

Philip Bloom reports that the season finale of House was filmed entirely with the Canon 5D Mark II.Greg Yaitanes, the director of the show, confirmed it through a tweet and answered some questions. You can see a transcription at Philips site .

Just got an email from Amazon about the Flip SlideHD .  Price is $279.99,  it has a 3 inch screen, 16GB of memory and 720p. The suggestion that wi-fi might be included seems false. I still think it's an interesting upgrade, but not worth the extra money to get the large screen.

There's a video clip showing the Panasonic AG-AF100, the 4/3 professional video camera previously blurbed that looks a whole lot more real than that 3D rendering previously shown. The 3D camera: AG-3DA1 is also shown. YouTube : Panasonic-Camcorder AG-3DA1 und AG-AF100

This morning Adobe rolled out CS5, and they had an online "event" that you could sign up for. I came in on it late, but from what I saw of it, they were pre-recorded clips of different people giving very quick ! enthusiastic ! highly-caffeinated ! demos of four or five of the new features that they loved! Each segment was only about five minutes long, but after two, I was exhausted. I'm sure I missed the best part - that's just my luck - but while I'm still knocked out by Photoshop's Content-Aware fill, it looks like there's some neat things in the new versions of After Effects and Premiere - and I'm not just talking about the Mercury Playback Engine. After Effects The improved Roto Brush seems to let you cut out objects by almost just pointing at them (if the demo is to be believed, a simple - very rough - swipe with the paint brush is all you need to do.) It looks pretty amazing. mocha for After Effects v2 improves on motion tracking. Oth

Some information - and videos - of Redrock Micro's new microRemote looks really cool. The microRemote is shown in two videos at photocinenews: Part 1 and Part 2 . Over at Cameratown they have a more formal release: Redrock Micro Introduces the New microRemote Remote Follow Focus . There three separate parts (products?): microTape Sonar based rangefinder base station Includes a built-in radio and can operate up to three torque motors to control different functions (i.e. zoom, focus and iris.) They have a wired control that can be used with the base station to control the camera from a distance of a few feet (i.e. from a tripod handle.) They say they will be offering their own torque motors later, and it works with torque motors made by others. microRemote Communicates with the base station and can start/stop the camera and the focus handle has hard stops. You can also insert your iPhone/iPod Touch to get extra interface controls/options; it will display the depth of fiel

Carl Zeiss has introduced what it claims to be the world’s first set of cine lenses designed especially for HDSLR cameras: the Compact Prime CP.2 lenses. The Compact Prime CP.2 lenses introduce interchangeable mounts that allow the lenses to be used with a wide range of cameras, from traditional cine to HDSLR systems. They will be available with three different mounts – PL, EF and F. The lenses can be upgraded to any number of existing or future cine and still cameras while enabling cinematographers to still utilize the same set of lenses. [ My understanding is that the mount can be changed on the lens, but it's not really an end-user operation. ] Features: full-frame 24 x 36 image format without vignetting common aperture of T2.1 for the standard set standard housing dimensions standard focus and iris gear positions consistent front diameter robust construction longer focus rotation and a manual focus stable exposure due to manual operated aperture 14 blade iris Z

Red Giant Software says that all its products will be upgraded to support the Adobe Creative Suite 5. Magic Bullet Looks, Knoll Light Factory, Trapcode Suite, and Pro Keying Suite will be available within two weeks of Adobe CS5 shipping. All other products will be available by this summer. These updaters are only applicable to users that choose to upgrade to Adobe CS5. These updates offer support for 64-bit computing, which provides: Better use of memory to allow multiple applications to run with increased performance Support of RAW content with the capacity to handle any resolution up to 5K and beyond Smooth playback of multiple streams of video in real-time in Adobe Premiere Pro CS5 More flexible workflows with the ability to handle multiple open applications at once Pricing and Availability • Adobe CS5 updates for all individual products will be available for $29 USD each. • Trapcode Suite customers can upgrade the entire Suite for a flat price of $99 USD. • Magic Bullet S

Steadicam (owned by Tiffen) has announced two new products; the Zephyr is a stabilization rig which holds cameras up to 30lbs, but it's the Tango arm that's more interesting/unusual. The Tango adds a floor to ceiling boom to a stabilized arm/vest for use with miniature HD cameras. A mobile jib, in other words. I’m sure it will be close to around $10,000 (with the vest/arm) when price is announced, but this is pretty cool/amazing; they only say that price and availability will be announced later this year. TANGO features: Nine-foot continuous elevation and traverse with back-pan and back-tilt 360˚ pan, ±90˚ tilt available throughout boom range Optimum pan/tilt inertia at all times Camera fits into small openings with full angular control 6 lb. camera payload @ 3:1 extension equals 29 lb. total Rapid conversion from “Tango” mode to conventional Steadicam Stable – when walking, running, climbing stairs Silent – no servo motor noise Fast – u

Last week Canon announced that their Canon Professional Services Program (CPS) was being expanded to include videographers, so we probably shouldn't be surprised that this week they have announces that five cinematographers (and one photographer) have been added to the Company’s Explorers of Light program, whose members serve as ambassadors for Canon products. The cinematographer inductees are: Alex Buono , director of photography for Saturday Night Live ; Rodney Charters , director of photography for 24 ; Crescenzo Notarile, director of photography for Ghost Whisperer ; Russell Carpenter , director of photography for films such as Titanic , True Lies and Charlie’s Angels ; and Shane Hurlbut , director of photography for Terminator: Salvation . Canon : Digital Learning Center

Sony has announced Vegas Pro 9.0d , a minor update that adds improved closed captioning support, multi-layer PSD file support and timeline burning to DVD. Closed Captioning Support Import, edit, and export CEA-608 captioned data in Sony XDCAM MXF material. Multi-layer Adobe Photoshop Document (PSD) Support Provides individual control over the separate file layers. Enhanced Device Explorer Support Improvements to the device explorer increases support for additional cameras and devices, including hard disk and memory recording devices. Burn Timeline to DVD PreSonus FaderPort Control Surface Driver Support The touch-sensitive device can be used to control volume and pan parameters, as well as play, stop, start transport functionality and managing markers for audio and video editing. The Vegas Pro 9.0d software update is available now for download and is free for existing Vegas Pro 9 users, or $234.95 for owners of Vegas Pro 8 or prior. Vegas Pro 9 software is available in Engli

The press releases are dribbling out, though the demos haven't yet begun! Check this page at Adobe's site for short videos on some of the new features! New Mercury Playback Engine The Mercury Playback Engine is 64-bit native, optimized for operating systems, multicore processors, and NVIDIA. It promises improved performance when working on complex times, and mix and match AVCHD, P2, XDCAM, RED, and DSLR camera formats freely in the timeline, without rendering. “I was among the first Final Cut Pro users ever, but my Final Cut Pro days are over. Adobe Premiere Pro CS5 is stellar because it offers the 64-bit Mercury Playback Engine, giving me the ability to work in real time with 4K RED files—I literally couldn’t pay enough money for that.” - Tim Walton, documentary filmmaker and editor for Sacramento, California PBS affiliate KVIE Native support for a variety of tapeless formats added In addition to Canon and Nikon DSLR support, CS5 adds new support for XDCAM HD 50, AVCC

Is this the wire-less follow-focus from Red Rock Micro? Is that an iPhone/iPod Touch? Not sure, but Vincent Laforet has teased this image , along with hints that cool things will be announced today at NAB by Zeiss, RedRock Micro, Canon and others . Does Canon really have more (in addition to the new flash-based camcorders?!)

Things just keep getting more interesting - if more expensive. With the advent of DSLR videomaking, a lot of people have been asking / dreaming / begging for Canon to come out with a more videocamera-oriented camera that would offer the depth-of-field capabilities of the DSLRs, but in a videocamera form factor. Well Canon hasn't gotten around to that yet, but it seems like others are jumping in. Sony has twittered a prototype digital cinematic camera that's scheduled to be released next year. Unfortunately, no details - yet - as to what we're talking about. Is this in the low-end category (Sony's RED killer?) or is this something super-expen$ive? Meanwhile, Panasonic has a 3D rendering of a camera described as the " first professional micro 4/3-inch video camcorder optimized for high-definition video record ing. Scheduled to ship by the end of 2010. " This camera has the chip size of the Panasonic GH1 and it outputs 1080p, but theres no info about what

Avid buys Euphonix Avid is buying Euphonix , makes of some interesting control surfaces for video editors. They make a really cool (and though it's expensive, comparatively value pried) control surface that works with Apple Color . I hope this move won't spell the end of that. Avid plans to further develop an open standard protocol that greatly expands the ecosystem of compatibility between the Euphonix control surfaces and a wide range of Avid and third-party audio and video applications, including Media Composer and Pro Tools. For existing Euphonix customers, Avid will continue to support EuCon– the Euphonix high-speed Ethernet protocol that enables its control surfaces to interface with third-party software Avid expands format support Avid has announced support for more video formats in their Media Composer (v5), NewsCutter (v9) and Symphony (v5) products. New features include: Native support for industry formats including RED, QuickTime and Canon XF Support for Mat

In an interview at Variety , Katzenberg dumps on bad 3D ( Clash of the Titans )" We've seen the highest end of (3D) in "Avatar" and you have now witnessed the lowest end of it (in "Titans"). You cannot do anything that is of a lower grade and a lower quality than what has just been done on "Clash of the Titans." It literally is "OK, congratulations! You just snookered the movie audience."

There's been some leaks about a new Flip camera , the Flip Slide HD . The details are a bit sketchy, but it appears to have a bigger screen (that slides out to reveal recording controls), it may have Wi-Fi, and it may be limited to 720p. I'm hoping I'm wrong about the 720p. On the one hand, with these small cameras, it's debatable that 1080p really improves things much, but on the other it's nice to pretend that you have the option. One more down-side. The $279 price point has me wondering. I'm not sure I'd pay that to get a bigger screen on a camera like that. Save the bucks and get the regular Flip UltraHD. Maybe .