Notes On Video

10 Stupid Mistakes Screenwriters Make | Raindance Film Festival So you want to write a screenplay? That’s fantastic! But why? Is it to make a lot of money? Or is it to impress your friends? Is it because you have a story to tell that will work best in the cinema? Try and write your screenplay before you decide the ‘why’ you want to write it. will eman, almost cetainly, your writing will be encumbered. Attention, Documentary Filmmakers: Here Are 9 Tips for Finding and Securing the Archival Material You Need | IndieWire 1. Beware the internet. "Everything is being pulled from the web and then, under deadline pressure, [filmmakers] are trying to find out who owns it. Usually, those filmmakers end up having to hire a very experienced research clearance person to try to sort out things. There's a way to work with things from the internet, but it's the wrong approach to take everything as placeholders and then at the very end, under a time crunch, try to figure out how

Kevin Pearce and Lucy Walker Talk The Crash Reel | Filmmaker Magazine I went to a screening for this movie and found this documentary fascinating. As well as the Q & A afterwards: Watching the movie, consisting of so much footage of events just prior to the accident, as well as footage of the accident, it was easy to assume that the filmmakers had already been following Pearce when the accident happened. But as Walker revealed in the Q & A, she didn’t even know Pearce at that point. Affordable 4K cameras galore at CES! GREAT! Now can we also have some stunning HD shooting DSLR cameras too pretty please? | Philip Bloom Philip wants better HD; maybe just subsample the 4K down to HD: One of the things I am most curious about is what the actual HD image is like. After all with these 4K cameras popping up, and I am sure many more will follow, I ask the obvious question, “Shouldn’t you get your HD image right first?” The GH3 does have one of the better HD images out there,

Sony's New 4K Consumer Cam Unveiled | News Shooter At CES Sony have surprised by announcing the FDR-AX100 , a compact handheld camcorder that offers 4K video resolution using a 1″ 20MP sensor (14MP in video mode) and a 12x f2.8-f4.5 lens. It usefully features built in ND filters and records at up to 30fps using Sony’s XAVC-S codec XAVC-S (the consumer version of XAVC that is found on the F5/55). Here's a video shot with Sony's PXW-Z100 4K Camera (that's the $5,400 camera, not the just announced $1,999 camera.) Mac Pro and Premiere Pro CC (mid Dec 2013) | Philip Hodgetts This article also provides an interesting perspective on the different ways Final Cut and Premiere let the user configure playback performance. The different approach to controlling performance typifies the approach each company takes. Adobe gives fine control, down to using different resolutions for playback and paused (where you would use Full in most cases). The control geek in me like

It's CES week, and while there aren't any real pro-camera announcements so far (or really expected), there are still some interesting bits of new gear, as well as some other bits of news. The regular News Gizmodo reviewed the Blackmagic Pocket Camera and they give it an unequivocal 'maybe': "I have no hesitation in saying that for certain applications, it's still worth buying." Over at CanonRumors , Sigma announced a 50 f/1.4 Art lens , as well as 18-200mm F3.5-6.3 DC Macro OS HSM Contemporary. Not sure what the price is. While you're there, check out this interesting article about plastic vs. metal in lens mounts. " Are Metal Mounts Better Than Plastic? " There's an interesting graphic on different codecs and when to use them. Adobe has announced support for new GPU's in Premiere Pro CC 7.2 , including the ones in the Mac Pro . Philip Bloom has been working on his review of the Sony A7, A7r and RX10 , and he po

It's CES week, and Sony has gone and done it; they announced a 4K camcorder for $2,000. Wow. It's almost like I predicted it...wait a minute, I sort of did back in September ( When cometh the $1,000 4K video camera? ) Am I unusually prescient? Unfortunately, no. But if past isn't prologue, then this is one of the worst cases of déjà vu, because Sony did a very similar thing when they starting releasing HD camcorders. First there was the HDR-FX1. Six months later, Sony announced the HDR-HC1, with an MSRP of $1,999. This is the HDR-HC1: And here's the FDR-AX100 camcorder they just announced: And you can pre-order it for $1,999 . Now as a 4K camera for doing a 4K production, I'm not that interested in this camera as I doubt I'll be giving anyone footage in 4K for at least a year...but I wonder what the 4K footage scaled down to HD will look like, and whether being able to crop the 4K picture when converting to HD will make this a useful tool.

TO RAW OR NOT TO RAW: THAT IS THE QUESTION | News Shooter This week I enlisted the help of Wushu expert Alex Leng to test the performance of the new Convergent Design Odyssey 7Q when recording 2K RAW at 240fps from the Sony FS700. [...] be warned 2K RAW at 240fps eats up a lot of storage space in a real hurry. . There was only 10 minutes of record time available using two raided 256GB Convergent Design drives (they need to be RAIDed to do this). Amazon Studios to Shoot in 4K | Red Shark "As a premium original content creator, we’re excited about 4K and the future of Ultra HD technology, particularly as we move into drama series next year,” said Roy Price, Director of Amazon Studios. “All of the pilots and series we produce next year will be shot in 4K. YouTube: 2014 is the year of the high-def stream | C|Net VP9 is a big deal for the Internet, and YouTube's support of it is both an in-house quid pro quo and beneficial for the Internet at large. Matt Frost, a se