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Showing posts from January 12, 2014

Sony HXR-NX3 webchat with Den Lennie

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Sony Europe held a Facebook chat with Den Lennie about the new HXR-NX3  (currently $3,795) on Thursday. You can read it here . I've put together the highlights below: Q: Will the NX3 replace HXR-NX5 (currently $3,395) ? Alvaro Ortiz:  No, NX3 won't replace NX5. They will live together. However, both products, even having almost the same body (as that of Z100), have different specs: WiFi, 50p, SDI, HXR-FMU128 compatibility... but, to be honest, I love NX3 even more! Kanta:  The NX3 isn't a direct successor of the NX5. NX5 has SDI and it is good for those who really need it for broadcast system etc. NX3 is more general purpose camera at lower price. Alvaro Ortiz:  BTW, for those interested, as you can see we are basically sharing the same body between HXR-NX5, NX3 and Z100. The main reason is that most of NX5 users were really glad about the weight, the balance, and the lens touch of such chassis. Also, that lens allows us a little margin with different sensor siz

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Should Professional Editors care about FCPX (again)? | Pro Video Coalition Last October Kevin McAuliffe told us in two articles that Final Cut Pro X wasn't worth caring about: "FCPX is still not ready for professional use". He caught a lot of crap for saying so, but he was right... in a very constrained context (which, if you read his rants, he carefully delineates). If you were a full-time editor working for or day-playing at an established production house, FCPX wasn't even on the radar. Tokina AT-X 12-28mm f/4 Pro lens review | Digital Camera World This lens is "just" $499 , for APS-C sized sensors: Image quality is impressive across the frame. Typical of ultra-wide lenses, sharpness drops at the extreme corners, especially if combining the shortest focal length with the widest aperture. Sony UWP-D Wireless Microphone Series | Cinescopophilia The UWP-D series uses new hybrid digital processing technology to achieve high quality sound. This

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GoPro Wins Emmy Award | Creative Planet Network GoPro today announced that the National Academy of Television Arts and Sciences has recognized the company with a 2013 Technology and Engineering Emmy® Award in the category of Inexpensive Small Rugged HD Camcorders. GoPro was selected for its groundbreaking HERO3 camera technology, which has enabled television production professionals to capture engaging perspectives that were never before possible. Another Update on Adobe Creative Cloud |  Aharon Rabinowitz When Adobe moved to subscriptions a lot of people predicted bad things (including me!) Aharon takes a look at how things are a year later. While he has a point, I'm not sure that a year is anywhere near long enough to determine the effect of monopolies. Of course that raises the question; when is long enough? Can I just go on and on saying 'well, there's been no effects, but just wait!'? I guess not. So I'll be reckless and say that if in five years ther

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Amazon Launches Free Storyboarder Tool | Michael Murie | Filmmaker Magazine Amazon continues its adventures in moviemaking. Amazon Studios, which began as an effort in crowdsourced content is moving towards content produced by professionals, but they still seem to be interested in moviemaking by the masses. They’ve already released a free storyboarding tool, and now they have Amazon Storyboarder, a tool for outlining stories using a corkboard metaphor.Corkboard interface Why I am going with 4K and why you should too | EOSHD Finally line skipping, moire and aliasing is going to die out. No more horrible electronic jaggedness and weirdness. 4K will not eliminate it altogether (the Blackmagic Production Camera does have some aliasing) but it will vastly reduce it and it will make 1080p look much cleaner. Rough edges and flaws at the 1:1 pixel level have a tendency to soften out when you’re producing 1080p oversampled from 4K. CES 2014: 4K round up | Cinema 5D The GH 4k c

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The Blackmagic Production Camera 4K Guide (Part One): Ergonomics and Specifications | wolfcrow In short, Blackmagic Design has created a product so revolutionary, that they themselves don’t really know which market it will ultimately end up serving the most. To be fair though, judging by initial videos from the Blackmagic 4K Camera, it looks like a winner, and somebody will buy it! A fun comparison between the late Blackmagic Production Camera 4K and the rumored Panasonic GH4 4K Camera | wolfcrow The ISO range of the GH4 should be at least usable till 6400 ISO, and this would give it a leg up over the Production Camera. On the other hand, due to the larger pixel pitch, in theory, the Production Camera should have lower noise levels. Thom Powers Curates Distribution Advice for Filmmakers | Filmmaker Magazine In a detailed intro, Powers discusses various distribution options, ranging from traditional to hybrid to DIY strategies. Then, he gathers specific advice from filmma