Notes On Video

THE WEEK IN CAMERAS: CANON GOES MIRRORLESS, BDCC ACCESSORIES AND A NEW SONY CAMERA | Michael Murie | Filmmaker Magazine A look at the Canon EOS M , a little update on the Blackmagic Design Cinema Camera and the Sony PMW-200 : Canon this week announced the Canon EOS M, a small camera that takes an APS-C sensor and stuffs it into a smaller body by doing away with the DSLR mirrorbox and using a new lens mount. The EOS M follows a trail blazed by Canon’s competitors — namely Panasonic and Sony. Sony has had a hit with their NEX- series cameras, and obviously Canon has been watching. July Color Correction | SpliceVine Patrick Inhofer did a series on color correction this month on Splice Vine , and it's wrapped up with an interview conducted with Patrick: The BBC documentary, Do You See What I See? and how it was talking about how a banana tends to always look yellow even under different colored lights. That’s right. Because we imbue meaning to these objects. These are thin

Continuing from yesterday’s Part 1 , here’s the rest of the notes from this week’s Adobe Presentation by Adobe's Al Mooney at the Boston Creative Pro User Group meeting. Trimming Al explained that they had been told that trimming wasn’t very good, so they completely redesigned it. You can now select an edit point and trim using the keyboard; previously you could only select clips and then trim in the Trim Monitor. Edits can be done by keyboard, or by mouse and you can even select and edit multiple trim points at the same time. There's a check box in Preferences under Trim that you want to turn on: " Allow Selection tool to choose Roll and Ripple trims without modifier key. " This allows you to choose multiple edit points, and it will also make Premiere choose between modes as you move the cursor left and right over the edit point, "it’s clever, it says 'I think that needs to be a ripple in, that needs to be a roll, that needs to be a ripple out.'

It was a tough room at this weeks Boston Creative Pro User Group meeting, with over half the room putting up there hands when asked who was still using Final Cut Pro 7 . But Adobe sent their headliner, Al Mooney , Adobe Product Manager for Premiere Pro , to explain and demo all the new features: Ladies and gentlemen, The Comedy Styling’s of Al Mooney. “It’s really nice to be able to say BOSCPUG and not BOSFCPUG; number 1 because BOSFCPUG is almost impossible to pronounce and number 2, you’ve dropped the F, and let’s face it, there’s no F in NLE. I thought that was going to work, never mind.” Al proceeded to go through the Creative Production Suite, first highlighting the new tools in the suite including; Story , Prelude and SpeedGrade . “We are giving you a suite of tools designed to give you a perfect workflow from your very initial idea, all the way through to your final delivery.” When he asked who had ever used Adobe Story , only a handful of people put up their hands. “The

Blackmagic Design Acquires Assets of Cintel International | HD Magazine Some are questioning why Blackmagic would buy a film scanning company, but they do make software for cleaning up film scans, so that's the connection: This acquisition gives Blackmagic Design the ability to combine our vision and expertise with Cintel technology to provide the best technology for artists using film, more efficient and affordable ways to bring film into a digital workflow and better ways to archive and restore existing archive film worldwide. Canon EOS M Video Roundu p | PetaPixel Links to some videos from around the web: It’s been less than 24 hours since Canon announced their first mirrorless camera, and already the Internet is filling up with samples, commercials and hands-on videos for those interested in buying it when it arrives in October. Here’s a video roundup for the new Canon EOS M mirrorless ILC: Mixing Formats: Arri Alexa, Canon 5D and C300 on a New Mexico DOT Spot | Shan

Matching Sony F3 and FS700 | Alister Campbell | XDCAM User Alister explains how he went about trying to match footage from the Sony PMW-F3 with footage from the NEX-FS700 : So once I had a neutral starting point on the F3 I then turned to the FS700 which I think is very blue. The matrix settings on the FS700 are quite limited so I wasn’t able to get an exact match to the F3, however the setting I came up with get them close enough for most jobs, it’s not perfect but it will do. Why Short-Form Video Is The Future Of Marketing | Kerrin Sheldon | Fast Company Study after study after study shows that more people are using the internet to consume video. In April 2012, ComScore reported that the average viewer watched nearly 22 hours of video in a single month. Most likely, those 22 hours were broken into many short-form videos, each being watched for just a few minutes at a time. Encoding for YouTube: How to Get the Best Results | Jan Ozer | Streaming Media Telestream Episode p

I first used Premiere back when it was Premiere 1.0 , and 320x240 video at 15 frames per second was pretty awesome. I stuck with the program up through Premiere Pro 1.0 , when Adobe stopped Mac development, and though I had Premiere Pro 1.0 for Windows, I switched to Final Cut Pro (which at that point was at version 4.) I’ve been a happy Final Cut Pro user ever since, and infact I’m still happily editing projects using Final Cut Pro 7 . If I convert material to ProRes first, I can edit footage from AVCHD camcorders and H.264 DSLR footage quite comfortably, and really, at the moment that’s the only thing that makes me want to consider switching; saving some time on Log & Transfer. But Log & Transfer is a known quantity. I tried Final Cut Pro X , and went back to FCP7 , but I’ve continued to evaluate other options. I’ve had Creative Suite 6 since it came out, yet apart from using Photoshop , have been holding off on diving into it. But last week I was starting a new

VIDEO INTERVIEW: KINERAW S35 – THE CHINESE DIGITAL CINEMA CAMERA | Dan Chung | DSLR News Shooter Dan got to play with the prototype of this Super35 sized sensor video camera: In my mind there are still question marks about how this camera will perform and only time will tell if it is really as capable as the paper specs promise. Image quality and reliability need to be tested. While the price may be competitive there also needs to be comprehensive global service and backup before I would consider this camera a professional tool. China does not have a history in the digital cinema camera field so I think this company still has a lot to prove. The End of Final Cut Pro 7? ronsussman ‏ @ronsussman  | Twitter Apple has NOT tested FCP7 (studio 3) for Mountain Lion. This could be the straw that breaks the camels back, so to speak The Basics - An Introduction to Exposure & Skin Tone | BackMagicUser A short tutorial on skin tone in DaVinci Resolve: "Sometimes you may wonde