Notes On Video

What difference does a lens make? | Den Lennie | F-Stop Academy Den compares Canon L lenses with some Zeiss lenses I prefer the warmth and resolution of the Zeiss lenses.  I think they manage to retain detail particularly when the image is zoomed in even at 400%.  They seem top hold more contrast also.  To be completely fair I did not put every focal length up like for like as I don’t own the full set of Canon Primes but if you are looking for a great set of affordable cine primes then the Zeiss ZF.2 will give you a lot of bang for buck.  Live 4K in Remote Sports Production Is Still a Way Off | Brandon Costa | Sports Video Group “It’s not about technology, and it’s not about equipment [in sports],” said Jerry Steinberg, SVP, field operations, Fox Sports, during a panel on the future of 4K at last week’s Content & Communications World convention. “In the television business, and I emphasize business, it’s about eyeballs. Whether it’s sub fees from homes or advertising dol

BOSCPUG Screens Side By Side with Director Chris Kenneally Advance RSVP is required to attend: boscpugdec6.eventbrite.com Save the Date! On Thursday, December 6th, BOSCPUG is excited to bring you a special event exploring the digital cinema revolution as we pose the question,"Can Film survive our Digital Future?" We will begin with a private screening of the documentary SIDE BY SIDE , followed by a Q&A and reception with CHRIS KENNEALLY (Director) & guests. B & H Black Friday Deals Bryce Bayer c1929 - 2012 Known as the Bayer Filter, Bayer’s invention is still used in nearly every digital camera, video camera and camera phone on the market today. The Bayer Filter array was patented in 1976 (U.S. Patent No. 3,971,065) and features a checkerboard arrangement of red, green, blue filters that enable a single CCD or CMOS imaging sensor to capture color images. Father of the Bayer filter dies aged 83 - HD Warrior

B-Side: How a Bunch of First-Timers Made a SAG Ultra-Low Feature Without Blowing Up the Garage | Amos Posner | Filmmaker Magazine We planned to not fix anything in post. Anyone who says “Fix it in post” during production should have to donate a dollar to the crew beer fund. If you don’t plan to fix anything in post, you’ll still have lots to fix. Don’t invite more.  The Making of legendary skateboarder Danny Way documentary, Waiting for Lightning | Webinar | Adobe Thursday, December 13, 2012 | 10:00 AM - 11:00 AM See how the video pros behind Waiting for Lightning used high-performance Adobe post-production tools to document the life of Danny Way, one of the world’s most visionary skateboarders. This presentation will cover Bandito Brothers’ digital workflows which relied on After Effects, Adobe Premiere Pro, and other Adobe Creative Cloud tools to tell the story about how much abuse the body can sustain, how deep you have to dig to survive family troubles, and how high and

MATT ALLARD SHOOTS ‘THE IRON PSYCHE’ USING THE NEW KINERAW S35 CHINESE CINEMA CAMERA | Dan Chung | DSLR News Shooter The Iron Psyche was shot on the Kinefinity Kineraw camera. This camera records 2k 12bit RAW files to either Cineform or Cinema DNG. The camera used was an engineering sample and not a production model. It was edited in Adobe Premiere and the sound mix was done in pro tools. The EOSHD Blackmagic Cinema Camera Shootout | Andrew Reid | EOSHD Until now I was very satisfied with my FS100 and the DSLRs but going back to them after the Blackmagic Cinema Camera is very difficult. They look way too digital. 12bit raw is like looking out of a window. Truly film-like. The colours all look odd on the DSLRs now – compressed 8bit just doesn’t cut it any more. This is the first time DSLRS (and the FS100) are completely outclassed on image quality by a $3000 camera. Gopro3 vs 5D3 vs GH2 vs Gopro2 camera test  | TobyLoc | Vimeo Please note this test is slightly useless i

Sony 4K cameras: PMW-F55; PMW-F5; XAVC 4K codec; NEX-FS700 4K interface unit | Rick Young | Vimeo David Young, Product Specialist from Sony Europe, discusses the latest announcements made by Sony of the new 4K capable cameras, the PMW-F55 and PMW-F5, plus the newly announced XAVC codec and 4K RAW recording interface unit for the NEX-FS700E. FS100 – Ferrari Profile | Sam Morgan Moore | Blog Tuning the Sony NEX-FS100 : And that is how my FS100 camera is tuned right up. My colour profile is designed for minimal grading.. which means minimal banding, which means a smooth file. But it is contrasty – it wont bear an exposure error, and will get noisy if you up the ISO. This is for accurate shooting and using lights or reflectors when you need them. Creating a Beauty Light with a Book Light | Shane Hurlbut | Hurlblog A book light is simply a bounce source that is diffused with another layer of diffusion. It creates an image of an open book. Your light is positioned 45 degrees