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Showing posts from July 7, 2013

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20 Tips by Roger Deakins | Burak Oguz Saguner 1. Don’t Get Distracted with Technique“Operating the wheels needs to become second nature as it can be a disaster if the technique of operating distracts from the relationship that an operator has with the subject. Pawel Edelman – Cinematographer | Filmuforia it’s interesting to be involved as early as possible, to know the main subject and the themes to be a part of the whole machinery of the movie-making process, which makes you (as a DoP) more involved and in the  centre of the process. New Features in Premiere Pro CC 7.0.1 Update! | retooled Well, it seems Adobe has kept their promise to use the new Creative Cloud platform to deliver a whole slew of new features. Now I don’t just mean bug updates as we had seen in the past with the Creative Suite, I mean upwards of 25 new features. In this video we go through the biggest changes to Premiere Pro CC and what you should know and expect from these new features. What’s new

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Premiere Pro CC July 2013 Update | Adobe One of the best things about Creative Cloud is that we’re able to develop and release features in cadence with the demands of this rapidly growing and evolving industry. The Premiere Pro CC July 2013 update, available now, is the first example of that, and we’re thrilled to be able to give you multiple new editing features so soon after the first CC release – less than a month after we shipped CC. The Blackmagic Cinema Camera in a News Environment | Pro Video Coalition I am the Creative Services Sr. Writer/Producer for the NBC affiliate in Nashville, Tennessee.  Every spot we produced for over a year was shot on my personal Canon 60D.  Now, the poor camera looks like it’s been to combat and in dire need of a rebuild.  Needless to say, when the BMCC arrived the week after I returned from NAB 2013 I was glad to see it. Eurovision working on 4K Ultra HD product badge scheme | Recombu Televisions built to receive 4K Ultra HD broadcas

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ARRI Alexa suffers 26 foot fall, survives | Facebook ARRI posted the following on their Facebook page: This ALEXA took a 26 ft. fall onto concrete and survived! They charged the camera up and were shocked to find it was still working as well as recording. Just to be safe, ARRI China’s service department performed an impact assessment and found no serious damage to the camera; so they sent ALEXA back to set to keep working. Thankfully no one was injured all were just left pleasantly surprised at how reliable ALEXA is. It’s official: Arri are developing a 4K Alexa! | Redshark News Franz Kraus, managing director of Arri, has announced that Arri are working on a new 4K camera. It will feature at least 4K resolution, at least 14-stops of dynamic range and high frame rate capability.  The idea being to create a new camera with greater spatial resolution without losing the visual qualities that have made the existing Alexa so popular. A Field In England multiplatform release

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HOW TO BE PROLIFIC: GUIDELINES FOR GETTING IT DONE FROM JOSS WHEDON | Co.Create You know, it’s so easy to just get nothing done, but you’ve got to rock a little David Allen out to be able to get things done and break your list down into next actions. And this is true of producing and directing but even of writing. It’s like, Okay, today I am going to figure out this action sequence.  Crowdfunding: Terms You Need to Know to Successfully Fund Your Film | RainDance Ad Swap – This is when projects promote each other in a basic synergy type deal by exchanging ad space– this is useful as it is free advertising in exchange for you placing some poster or banner up and helping out a fellow Crowdfunder. Should Crowdfunding Sites Ban Overfunding? | Filmmaker Magazine I would suggest that one of the key factors in backer dissatisfaction is project over-funding. Many see this as a blessing — extra cash is always good, right? Wrong! Along with extra cash comes more rewards to fulfill

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A MONTH WITH MÅŒVI | Alex Buono After they nailed the shot on take one, I just stood there with a dumb look on my face: “Uh…I guess we should do it again, right?”  So we did another take and they nailed it again.  I looked at my watch and realized that at this rate, we could probably shoot half a dozen shots instead of just one or two.  A Field In England A Film4 Digital Masterclass | A Field In England Lots of information, well worth checking out this site: Shooting with deep focus means that the foreground, middleground and background of the shot are all in focus. Ben Wheatley chose to use deep focus extensively on A Field in England, particularly on wide shots of the world of the field. The Low Budget Starter Kit | Raindance Film Festival Anyway I digress…the point I am trying to make is that cameras are the starting point in your journey and are becoming much easier to get your hands on. Smartphones have changed the way home videos are made, with all of them now comi