Notes On Video

Canon C300 News Roundup First the Good News: EOS C300 receives coveted broadcaster approval | Canon Europe The C300 receives the BBC's stamp of approval: Canon has announced that the groundbreaking EOS C300, the first camera in Canon’s Cinema EOS System, has met the standards the British Broadcasting Corporation (BBC) requires from cameras tested to the European Broadcasting Union’s recommendation EBU R118 for High Definition TV production. CANON C300: Trimming White Balance, Plus a Look at Daylight vs. Tungsten Color | Art Adams This may not seem completely good news; it's an article about how the C300 white balance isn't totally "white," but it offers some tips to address this: This isn’t unusual at all. A lot of cameras do this. Even the Arri Alexa white balances cyan, which is why I use it primarly on preset—and even then I have to pull some green out of the image to suit my taste. (For daylight I use 5600K CC-3 preset, and under tungsten light I u

Canon Rumors. Possible 4K HDSLR. Why I’m Not Buying A 5D3 Just Yet | Jared Abrams | WideOpenCamera Repeat after me: "there will always be a better camera in the future." Though I will admit that the time between releases seems to be accelerating. Jared explains why he isn't buying a camera right now: Canon Rumors is reporting a possible 4K DSLR from Canon on April 16th at NAB 2012. There is also another event on the 15th. Two big announcements from Canon on the heels of the new 5D3 makes me want to wait and see what will be shown at NAB. I also think we may see a 4K camera from Sony. Hustle: Color Grading Canon C300 Footage | Chris Portal | Blog Chris blogs about the other half of this weeks presentation at the Boston Creative Pro Users Group : The whole color grading process took a total of 7-8 hours over the span of 2 days. Having worked with 5D, 7D, Alexa, Red, 16mm, 35mm, and now C300 footage, Rob described the C300 footage as having significantly more latitud

Hot news for those waiting for NAB announcements; the Sony leaks have started appearing! EOSHD reports: The Sony NEX FS700 – 4K for $8k At NAB 2012 next month, Sony will shake the digital cinema market to its core. Sony’s answer to the C300 is a 4K Super 35mm update to the FS100. It will be available in June for a provisional $8000. My source (based in Taiwan) says that the FS700 does 4K via 3G HD-SDI to an external recorder. The FS700 is said to include 3 internal ND filters yet retains the NEX E-mount. Looks like they found some space for those missing FS100 NDs after all! ND filters and 4K for under $10K? Where do I sign up?! They claim that it will be in the same body as the FS100 ; but this seems unlikely to me...it might resemble the FS100 , but they'd have to do some surgery to put in ND filters. Of course, just because last year they told us they couldn't put ND filters in there because there wasn't enough space, doesn't mean that they won't suddenly

Last night's Boston Creative Pro User Group meeting at Rule Boston Camera featured pizza and beer, Carl Peer of Canon U.S.A. discussing the Canon 5D Mark III , and Rob Bessette , colorist at Finish Post discussing grading the short " Hustle " (shot on the Canon C300 and graded on DaVinci Resolve .) I'm not going to write at length about the meeting as they were video taping it, so it's probably is going to appear on the web near you somewhere soon. But here's the pieces that stood out to me: Canon 5D Mark III ISO 25600 on the Mark III is about equivalent to 6400 on the Mark II   How are you reducing Moiré? "It starts at the sensor, but then afterwards, it is about how you are going from 22MP down to a 1920 x 1080 image, which is about 3MP. So how you get down into that is how you are going to reduce moiré in the large scale. On the small scale, it does happen at the sensor, but on the large scale, it is about how you are reducing that [frame si

The C300 and the Ice Cream Factory for “You and your Canon C300″ | Philip Johnston | HD Warrior Despite the title, this is not a post about shooting with the Canon C300 . It's about looking for "the shot," and creating visually interesting shots with some imagination and lighting: I planted two 600W LED lights behind the mixtures but the white light destroyed the effect I was looking for so I added red and yellow gells to the lights and then added a third camera light at the back and lay a blue gel on top of it. Review of the Canon 5DmkIII now with full video review and footage | Philip Bloom | Blog Philip has expanded his review, adding a 17 minute video that you can view on his blog or on Vimeo: "I am much happier with this camera now, than I was a few days ago when I first got it." There's some nice footage of New Zealand too: EDIT: After doing some experimenting do some work on it in post. Bit of grading and post sharpening the footage is coming

C300, the good the bad and the ugly! | Paul Joy | Blog More on the color aliasing issues in highlights with the Canon C300 : As you can see the issue appears as alternating green and red pixels which is really distracting and darn right nasty to look at when watching the moving images. I’ve done a lot of testing with this issue now and it happens with any lens, at any aperture and with or without ND engaged. It happens regardless of any picture profiles or gammas too. Panasonic GH2 vs 5D Mark III | Andrew Reid | EOSHD PanasonicHD Except for the shallower depth of field and color rendition (for some things) that the Mark III provides, Andrew really prefers the GH2 : The 5D Mark III is an incredible stills camera and the sensor is much improved in low light. However the video image is not really an improvement on a nearly 4 year old predecessor aside from cleaning up a bit of moire. The 5D Mark III is as soft as the 5D Mark II, and almost as poor as the old 550D and 600D, the im

At the MIT forum " Documentary Film and New Technologies " I was taken by this answer from Patricia Zimmermann to a question about the difficulty - particularly with interactive work - of knowing which platform to use. I found the answer fascinating because it is really about the longevity of mediums. I look at the floppy disks I still have lying around, with documents created in old applications; should I be trying to preserve them? or should I be thinking of the medium as more like theater; something that exists for a moment - or a year - in time, and is then gone? Q: How do you deal with the broad question of the instability of platforms? What does an aspiring young documentarian do facing not only the enormous number of choices, but also the deep, deep question about whether the chosen platform will be around in five years? What do we do about being in a moment where platforms are very instable? I’d like to take this on. It’s interesting to me when you use the words

$3000 Nikon D800 thrashes flagship $6000 Nikon D4 for video | Andrew Reid | EOSHD Another comparison of  D800 and D4 video: The resolution is not compromised although there is some aliasing on horizontal lines and false colour moire on very fine fabrics. The issue doesn’t seem as bad as on the Canon 5D Mark II or 7D from what I’ve seen but it is there if you look closely. To be fair though it does not flare up as easily as some cameras do. Nikon D4, D800 Compared with Canon 5D Mark II and Sony FS100 | Den Lennie | Blog Den and Guy Thatcher spend some time playing with different cameras, including the D4 and D800 : Here is a very short low light comparison with the cameras set roughly around 2000 ISO (although we set the D4 to 4000 ISO because it looked dark in the LCD) Scene is only illuminated by the screen of my 27" iMac. Lenses used were Zeiss 35mm f1.4 on Nikon's and on FS100 and Canons a 24mm f1.4 L series. Geotagging location surveys | Jeff Heusser | fx