Notes On Video

When You Find Me – Awesome Canon C300 / 5D Short Film | Paul Joy | Blog Canon had a competition where they invted people to submit photographs and Ron Howard would shoot a movie based on those pictures. Originally the movie was supposed to be shot on DSLRs, but evidently mush of it was shot on the C300 . You can see it on the web at YouTube: Project Imagin8ion I’ve not seen any details from Canon confirming that camera that were used on the film but it’s widely reported that a prototype of the Canon C300 was the main camera with some HDSLR’s being used as well. I’ll update this post when more info comes to light. “Sugared Art”, a new short film on the Sony FS100 | Philip Bloom | Blog Sony hired Philip for this project. You can read about it, and see some BTS footage, though Philip notes he was'nt a very happy camper because he'd put his back out the day before: Gear wise, obviously the FS100 and Zeiss ZF macro lenses 50mm and 100mm. The Zeiss ZF 50mm and 85mm F1.4 too.

14 New Cameras in one year (Part One) | Philip Johnston | HD Warrior The first part of a look back at 14 interesting cameras that were announced this year: I decided to take the F3 through to Edinburgh one cold January evening to film some low light footage and I was astounded at the footage I brought back, this was indeed the king of low light filming. Stage 4 - Reservations are now Open | Jarred Land | RedUser Order an EPIC now and save! Given the price increase coming in the new year, We are opening up EPIC Stage 4 for deposits today so everyone interested in stage 4 can lock into 2011 Pricing. We have a few Stage 2 orders to still mop up, so Stage 4 will not start shipping until those have been completed and the process of Stage 3/3.5 has begun . Since Stage 3 and 3.5 have the opportunity to be a lengthy processes ( sending in cameras, inspected, etc. ) Stage 4 orders and Stage 3/3.5 will be shipping in the same time frame.. with Stage 3/3.5 orders given shipping priority

Vancouver, British Columbia, December 15, 2011 — Singular Software, a developer of workflow automation applications for video production, is pleased to announce that the PluralEyes for Apple Final Cut Pro X Public Beta is now available. The multi-award winning PluralEyes technology works alongside Final Cut Pro to instantly sync multi-camera video and audio tracks; saving hours of tedious, manual syncing during post. "We have a large PluralEyes for Final Cut Pro user base, so it was imperative that we added support for the latest release," says Bruce Sharpe, CEO of Singular Software. "Many of our PluralEyes for Final Cut Pro users employ multi-camera and dual-system audio workflows...relying heavily on PluralEyes to facilitate the media sync. Whether editing with Final Cut Pro version 7 or X, we want to ensure our customers enjoy all of the same advanced synchronization capabilities that PluralEyes has to offer. Final Cut Pro X editors can download the ne

Sony has released a firmware update for several NEX series cameras: the NEX-3, NEX-5, NEX-C3 cameras, NEX-VG10 Handycam Camcorder and the Sony NEX-FS100U . Firmware update 2.0v specifically adds support for the LA-EA2  [$333.05] translucent mirror Lens Mount Adapter In these cases, the new firmware provides compatibility with the recently launched LA-EA2 translucent mirror Lens Mount Adapter. Prior to this firmware update, the LA-EA2 only worked with the αNEX-5N , NEX-7 and NEX-VG20. We know owners of the previous models were eagerly asking for compatibility to enjoy phase detect autofocus when using one of Sony’s A-mount lenses. I can't find what it does for the NEX-FS100U (whether this adds the international frame rate support they were promising, though I doubt it) but it does add the focus peaking feature to the NEX-VG10 and the other NEX still cameras. There don't appear to be any other changes. αNEX Cameras:New Firmware Enables Translucent Mirror Adapter Compat

Milpitas, USA - December 15, 2011 - Blackmagic Design today announced DaVinci Resolve 8.2 for Microsoft Windows™ public beta is now available for download. D aVinci Resolve for Windows public beta is available in both the full featured DaVinci Resolve 8.2 and free DaVinci Resolve Lite versions. The DaVinci Resolve 8.2 for Windows license is included with the Mac OS X version, so all current Mac OS X customers automatically get a license for the Windows version, and can download it now to use in their facility. Read rest of the: Press Release

First look of Canon C-300 | Paul Steinberg | Vimeo C-300 with Directors Commentary Paul was lucky enough to borrow a C300 from Canon Canada for a weekend and did some shooting with it. The two clips he has posted are essentially the same, but the second one has a commentary track added. A couple sensitivity shots at the end of the video including a 20,000 ISO shot. Details for my fellow nerds; Camera was left in 5400K, Canon Cinema mode | 50Mb/s Lenses: 15mm f/2.8 fisheye, 17-35 f/2.8, 24-70 f/2.8, 70-200 f/2.8, 300 f/2.8 DSLR Lighting techniques from Eve Hazelton | Eve Hazelton | Philip Bloom Blog Eve Hazelton, DP of the Underwater Realm , provides an introductory lighting tutorial: First off – don’t just point a light at your subject and hope that’s enough. You are painting with light here, be a little more subtle! There are a number of problems with this shot – but first off we are going to tackle the lack of contrast between myself and the background… A R3D Workflow

F65: Hands On Review | Steve Marshall | FearSomeSteve Despite initial skepticism about Sony's past offerings, Steve seems impressed by what he saw of the F65 at a recent demo event: Only time will tell but I think the F65 is going to catch on big time. It’s workflows will appeal to TV shows and feature films alike. It’s price point is low enough to attract a number of owner-operators, albeit not as many as RED. The 8k sensor at the heart of it seems to produce really good, clear images (from what I’ve seen). They definitely have some traction in the true 4k argument. I’d really like to see Epic and F65 footage side by side. I’m sure we’ll be seeing some comparison tests in the new year. Canon EOS C300 at BBC Scotland…First Impressions | Philip Jonhston | HD Warrior Philip's impressions of the C300 after seeing it at a demo event: We also had a chance to see the iPad working with the C300 now here is my dilemma, it looks the business but has a small delay in transmissi

The link in yesterday's post was botched, and also the price has dropped another $40 ( so just as well you didn't buy it yesterday! ) but B & H is currently selling the  Canon EOS 5D Mark II Digital Camera (Body Only)   at $1,999.95. (Note: this site is a B&H affiliate .) Will it drop further? Does this mean a 5D Mark III is coming soon? I don't know! I doubt it means the Mark III will be announced for CES, but it seems likely that something will appear next year...surely?

Looks like the fun just continues next month. Rule Boston Camera is going to be hosting two great Pub Nights: Jan 5th, 6-8pn Canon EOS C300 Pub Night (Beer & Pizza) Jan 25th, 6-8pn Sony F65: True 4k and Beyond Pub Night (Beer & Pizza) RSVP: events@rule.com

Sony Steps Up Manufacturing After Pre-Orders Land F65 4K Camera in U.S. Top 200 | Carolyn Giardina | Hollywood Reporter If you thought the Canon C300 was expensive, then don't even look at this baby, which costs $65,000: Sony plans to begin shipping the camera to customers in early January and started to take pre-orders in September. Kanemura said US-based resellers of the F65 would include AbelCine, BandPro and Rule Boston Camera. Sony's F65 Camera Get First Shoulder Rig | HD Magazine SHAPE of Canada has developed a shoulder rig for the F65 ; how much does that thing weigh? - 35 pounds! There's a short teaser video: SHɅPE WORLD PREMIERE F65 TEASER | SHAPE | Vimeo THE SONY FS100: A LIVED IN REVIEW | El Skid | Wide Open Camera After spending some months with the NEX-FS100 , El Skid offers his thoughts: It really is that kind of camera, on the one hand infuriating, on the other hand, just brilliant. Funnily enough though, all those reasons that bugged the hel

SECAUCUS, NJ (December 12, 2011) – Panasonic today announced pricing and availability for its latest professional 3D camcorder, the HDC-Z10000 , delivering in December at a suggested list price of $3500. The Z1000 achieves the industry’s nearest close-up of approximately 17.7 inches (45cm) for a twin-lens 3D camcorder, while maintaining an equivalent 32mm wide angle of view. It records close-up images that would be conventionally difficult to capture in crisp detail. The Z10000 is Panasonic’s first integrated twin-lens 2D/3D camcorder that is fully compatible with the AVCHD 3D/Progressive standard. Based on the AVCHD format, which offers high quality, efficient compression and excellent compatibility, this new standard has been upgraded to AVCHD 3D, which uses MVC (Multiview Video Coding) to record and play 3D images via the Frame Sequential Method (each frame is full resolution). AVCHD 3D/Progressive is the latest format in the 3D domain and assures frame-by-frame beautiful resul

BTS Of Reverse Parthenogenesis | Wide Open Camera | YouTube A short video where Jared Abrams shows the lighting setup they are using for a scene. Phantom Flex Test Shot - 2000 FPS - ISO 1250 | Tom Guilmette | Vimeo Tom has posted a very short video shot with the Phantom. at 2,000 fps. The explanation is well worth reading: The set we were on was huge. That meant a large area had to be lit. I asked the DP to use large wattage lamps to avoid 60 Hz flicker in the high speed footage. I also wanted plenty of room to work. Even in front of the key source. We had a 3 ton grip truck. The main key source were two nine lights camera right through silk. The fill was camera left and consisted of a 5k and 2k through silk. An EF 70-200 f/4L IS II in Mid January? [CR1] EF 35 f/1.4L II & EF 24-70 f/2.8L II | CanonRumors There are reports that Canon will be updating several lenses in the springtime. You just have to wait until CES to find out (CES runs January 10 - 13) I'm mos

In a recent post I Don’t Hate Stereoscopic Films , Alexis Van Hurkman makea an interesting defense of 3D films. Firstly, he takes apart the argument that 3D adds nothing to narrative story telling by wondering what cinemascope adds to narrative: Now, I’m not saying there aren’t cinematic advantages to be mined from the different shot compositions that widescreen allows. However, plenty of spectacular films have been made without it... Then acknowledging there are good examples ( Hugo ) and bad ( Clash of the Titans ) of 3D, he also lists the drawbacks: I’ll be the first to say that the reduced light output in projected 3D venues is depressing, and the reduced and shifted color that results saddens my colorist’s eye. Similarly, I don’t wear glasses in my everyday life, and I’m not terribly thrilled at having something sitting on the bridge of my nose in the theater. But then he gets to the most interesting argument: Rudolph Arnheim, an early film critic and theorist, was a well-docu

F3 - C300 - 1D side by side | Mario Feil | Vimeo Mario posts another short video featuring the Canon C300 , this time showing how it compares to other cameras shooting some different scenes. We put up a simply light setup, didn't change anything and just switched the cameras. 1Dmk4 - Cinestyle C300 - Canon Log F3 - basic PP You can also now download some of the MXF files from Nino Leitner's article: UPDATE – MXF files available for download! Philip Bloom, Seeing RED! | Steve Hall | Blog Philip's return of his RED Epic  continues to percolate around the web: He does not have a C300(yet) and he only had a brief look at the camera in a coffee shop. so to say that he is promoting it is crazy (I read this on the gh2 hack forum ) If canon wanted him to promote their camera, wouldn’t the logical thing be to ask him to make one of the short films for its big release???? Clean those Adobe Media Cache Files | Scott Simmons | ProVideoCoalition If you're not caref