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Showing posts from December 8, 2013

The News

SpeedGrade CC (7.2) Update | Adobe This update focuses on performance enhancements and bug fixes for the Direct Link workflow.  Adobe Premiere Pro CC December 2013 Release | Adobe This release brings multiple performance enhancements to Premiere Pro, and several new features. Planar tracking and camera solver with Mocha, After Effects & Plexus | AEScripts In this tutorial, Mary Poplin of Imagineer Systems uses mocha Pro and After Effects to design a dynamic animated, tracked graphic. Digital-Transition Doc Side by Side Gets Archived … on Film | Studio Daily Kodak is publicizing the decision as a testament to film's continued viability as a stable preservation medium, especially when there is no time-tested equivalent in the world of digital archives. Developing a Concept for a Video | Photofocus Don’t try to reinvent what already exists. You need to closely examine what’s already in the web video universe or competitive marketplace. Videos A Gu

Sony HXR-NX3

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Sony has announced the HXR-NX3 ( $3,495, expected in January ). This isn't a large sensor, inter-changeable camera, and it doesn't have 4K, so it won't get a lot of coverage, but it's a good general purpose professional level camcorder. I'm not sure if it replaces the HXR-NX5 ($3,795) . Here's a couple of videos: Shot in Istanbul by DP Den Lennie, this video demonstrates the beautiful results that can be achieved on our new HXR-NX3 handheld HD camcorder. Boasting leading lens, sensor and LSI technology, in addition to built-in WiFi technology which allows it to be connected with devices such as smartphones and tablets, the HXR-NX3 is ideal for the professional videographer. We go behind the scenes with DP Den Lennie in Istanbul as he explores our new HXR-NX3 handheld HD camcorder, to beautiful effect. Boasting leading lens, sensor and LSI technology, in addition to built-in WiFi technology which allows it to be connected with devices such as sma

The News

2013 – 10 things which have impressed me – and some that haven’t! | EOSHD 1. Magic Lantern  Magic Lantern’s achievements have always been pretty incredible and they’ve been doing this for a few years now. However 2013 saw thee first major image quality improvements which you absolutely had to shoot with. Raw video especially was a revelation. (SR5) Sony sensor revolution: First “non-Bayer” sensors coming in 2015. | Sony Alpha Rumors Sony is heavily investing in a brand new sensor tech that will likely find his way in production cameras as early as 2015. I already told you a couple of weeks ago that Sony developed a 54 Megapixel sensor with on sensor PDAF. Well today I have been told by a very trusted sources that this sensor is also the first that has not been designed with a classic RGB (Bayer) pixel structure. ALL THE THINGS THAT ARE WRONG WITH YOUR SCREENPLAY IN ONE HANDY INFOGRAPHIC | FastToCreate 01 The story begins too late in the script 02 The scenes are void of

You get paid to do this?

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Chase Jarvis posted a video of his latest adventures - with a DJI Phantom. Interestingly, he sent it up with a Sony RX100 II , because he wanted better footage than you get with the various action cameras (that's something I've been thinking about too!) He was also excited to use the WiFi feature of the camera to remotely monitor what it was shooting. So they attached it to the Phantom and took it flying...in Iceland....over water. Now, he says "we've been flying it around in Seattle with the GoPro, it's been fun, but we're also thinking that we could upgrade the camera a little bit." So you're probably wondering; why didn't he take it flying with the RX100 II in Seattle, before going to Iceland? I was wondering that too. I was also wondering whether the camera (which is $748) could be carried by the Phantom. Strangely enough, earlier in the day I had done a Google search to find the maximum payload weight for the Phantom. The post I had f

The News

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The D16 Ships This Week! | Digital Bolex We’re pleased to announce that the Digital Bolex D16 will begin shipping to backers starting this week. If you are a backer, we will contact you shortly to verify your shipping addresses and contact details, so please make sure that emails from digitalbolex.com will clear your spam filter. Anamorphic sample footage shot with the SLR Magic Anamorphot – and which lenses go best with it? | EOSHD The new SLR Magic Anamorphot 50 jointly developed with the help of EOSHD is here in it’s final non-prototype form and I’ve shot the above video with it (Sony FS100). This should give you an idea of how the flare moves around during a shot and the general anamorphic aesthetic you are able to get with the adapter. Slating like a Butler | John Brawley "Doesn’t anyone know how to slate? Don’t they know how they can influence the beginning of a scene? That they can set the tone for the actors? Why are they taking so long to announce the sl

the News

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After Effects | Creating an Animated Crumpled Paper Effect With TrapCode MIR | Lester Banks Inspired by the opening animation for Community, Trevor Penner set out to create something similar in After Effects and walks through how to create a crumpled paper animation with the use of TrapCode MIR. TrapCode MIR lends its self well to this effect, allowing you to get a 3D look right within After Effects using a custom paper image as a base. Trevor also rounds out the look of the animation using RedGiant’s Mojo. 'How To Qualify Your #Documentary For An #AcademyAward' by @HunterWeeks for @OldFolksRock | Film Courage Attention, Documentary Filmmakers: Here Are 9 Tips for Finding and Securing the Archival Material You Need | IndieWire 1. Beware the internet. "Everything is being pulled from the web and then, under deadline pressure, [filmmakers] are trying to find out who owns it. Usually, those filmmakers end up having to hire a very experienced research clearan