Notes On Video

“GAME CHANGERS” PART 1: GETTING STARTED | Michael Murie | Filmmaker Magazine Filmmakers Rob Imbs (director) and Benjamin Eckstein (cinematographer) are currently shooting a low-budget independent feature film, Game Changers, a drama/comedy about two video-gamers who are approaching their late twenties. With an initial target budget of $30,000, Game Changers might be better described as a shoestring budget feature, given that they began shooting with only half that amount raised. Thread: Attitude adjustment... | Jim Jannard | RedUser Red announces new prices: Now… here is the new pricing:  5K EPIC-X Brain- $19,000 5K EPIC-X Monochrome Brain- $20,000 5K EPIC-M Brain- $24,000 5K/4K Scarlet Brain- $7,9504. 5K RED ONE M-X Battle Tested- $4000 (includes CF or SSD recording module). The RED ONE is End of Life. Battle tested is all that will be available from here on out. RED Cuts EPIC Price in Half: EPIC-X Now $19,000, SCARLET Under $8K, RED ONE Goes 4.5K for $4K | Joe Marine

SONY ANNOUNCES F5, F55 AND OTHER TOYS | Michael Murie | Filmmaker Magazine As interesting as the new technology – and promised 14 stops of dynamic range – is, these two cameras also show that Sony has been listening to, and are making a serious effort to woo customers. While the image quality of the PMW-F3 was widely lauded, it wasn’t a shoulderable camera – without a third party rig – and while the LCD Panel was good quality, it wasn’t in the right position when you had the camera on your shoulder. Sony has reworked the design, added a shoulder rig option, and will offer three EVF options; an improved LCD EVF, an OLED EVF and a 7″ LCD. Introducing the PMW-F55 | Sony Europe Richard Lewis, Cinematography Product Specialist, provides a detailed, hands-on tour of the new CineAlta 4K cameras. All the key features, including the flexible modular structure, multiple recording formats, menu controls and important accessories are shown. The 18 minute video also demonstrates recording

Sony F5 and F55 (From the horses mouth – not speculation…) | Den Lennie | F-Stop Academy The truth is we have never had it so good as film makers.  There are a truly incredible range of tools now from all the major manufacturers.  We win on all fronts.  I don;t see the F55 as a camera I’d ever own but rent for sure.  The F5 may be one to invest in but until we know pricing who knows.Lets not forget that just because these new camera exists does not make the F3 with SLog and less of a beast and the FS700 and FS100 are still incredibly powerful visual tools.  It always comes down to what you do with them… SONY LAUNCH THE F5 AND F55 4K CAMERAS: MATT ALLARD GIVES HIS VIEW | Matt Allard | DSLR News Shooter Firstly, I’ll give you my personal opinion of these models based on the specifications: on paper these certainly look very attractive indeed, with Sony really listening to the end user and offering cinematographers two very good cameras.  From workflow to viewfinders, recording

Breaking news: All you need to know about Sony's new "F" cameras | Ned Soltz | RedSharkNews Officially, no price, though Philip Bloom says $18K for the F5 and $50K for the F55 : The PMW-F5 is based around the same 4K 11.6 megapixel sensor as the FS-700. The F5 records internally MPEG-2 50Mbps 4:2:2, SR 220Mbps 4:2:2 (future free firmware upgrade records to SR 440 Mbps 4:2:2 or RGB 4:4:4) or XAVC 4:2:2 HD or 2K at frame rates up to 120 fps). With the newly introduced R5 4K recorder, the SDI output from camera will record 2K or 4K 16-bit linear raw to Sony’s new recording media AXSM. The PMW-F55 shares the same color filter array as the top of the line PMW-F65 as well as incorporating a similar global electronic shutter to eliminate the rolling shutter issues found in CMOS sensors. It adds to the F5 up to 180 fps in XAVC 4:2:2 HD and internal XAVC 4:2:2 2K up to 240fps as well as 4K with frame rates up to 120 fps. The F55 supports both QFHD for no-cropping to 4K

CAMERAS: Thoughts on the Canon C300’s Color Science | Art Adams | ProVideoCoalition In the end I used Cinema2 gamma, because it did the nicest job of holding highlight detail in the clouds while adding a pleasing contrast to the rest of the image, and the EOS Standard color matrix with matrix gain set to -30, which gave me accurate but understated color that looked like what I saw by eye. I white balanced the camera in sunlight and came up at 6100K, which looked great.  At last! Lightworks for Linux will be available starting on October 30th | Editshare The version that we will be releasing in October will be very similar, and also similar to the current Windows version that many people are already using.What version of Linux is required to run the Lightworks alpha?Initially it will be Ubuntu 12.04 only, with an aim of supporting other versions at a later date.  Dual Viewers in 10.0.6 | Final Cut Pro X Tutorial | Dan Allen | YouTube In this HD Voice tutorial for Apple F