Notes On Video

CinemaDNG Technology Center  | Adobe From Todd Kopriva at Adobe: "The CinemaDNG Technology Center page has been updated with the CinemaDNG specification, example files, and other materials for those interested in working with this format. More than a decade ago, photography experienced a technological shift with the proliferation of digital cameras. As photographers embraced digital cameras, their desire to access low-level image data increased, resulting in the increase of RAW file formats and workflows. Unfortunately, the digital still image raw workflow brought with it a slew of file formats (over 200 for still cameras!) that are proprietary, closed, and sometimes even encrypted. Documentary Summit: Boston When : October 13-14, 2012. 9am-5pm both days Where : Boston University, Center for Digital Imaging Arts, 274 Moody Street, Waltham, MA 02453 The Documentary Summit is a two day professional filmmaker conference. With seminars from expert speakers and structured net

MAN OF TAI CHI | ARRI News Keanu Reeves talks about shooting with the ARRI Alexa Studio Camera : "The camera was just out of beta and I wanted to test its limits," says Reeves, qualifying his comment about "breaking" the Studio. "We've been shooting in water, high temperatures, dust, using strobe effects, really pushing the camera - it's been getting a good workout! ALEXA is easy to work with and very well-made." Interview with Cira Felina Bolla | BandPro Shooting with the Sony F65 : I’m most impressed with the F65's color-space, sensor and latitude. I'll explain: its ability to hold information in the highlights up to 2 ½ stops over and up to 3 stops under in the shadows without degradation; no noise in the Blue channel; or any of the other layers. No other HD camera has been capable of this until now. This is how today's properly exposed film behaves. Sony F65 Gives a New Life to ‘Evil Dead’ | Digital Media World DP Aa

(SR3) NEX-FS700: 4K upgrade coming next Thursday? | SonyAlphaRumors We know that the 4K announcement for the Sony NEW-FS700 is supposed to happen sometime in the next month - could it be this Thursday?: The first news is related to the Sony NEX-FS700 camera. An anonymous source just told me that there will be a new 4K upgrade coming on Thursday! Leòt’s hope this is true! Premiere Pro CS6 “Media Pending” | Philip Johnston | HD Warrior I had some problems with Premiere and .MT2 files a while back. I wonder if this "fix" might have solved that: If you are editing in Premiere Pro CS6 and get a “Media Pending” after importing a file, look at the file structure to see if there is more than one MXF file in the folder. I waited over 10 minutes for the “pending” to disappear on a file that was less than 60s long. TILTA CAMERA RIG REVIEW | Rick Macomber | Vimeo Rick showed me this rig the other day, and it certainly looked impressive: A Chinese company named Team Ti

Win a $10,000 Film Grant in 'The Cabin in the Woods' Spoof Horror Film Competition | Justin Minich| No Film School It’s that time of year when people are thinking up costume ideas, picking out pumpkins for carving, making party plans, and if you’re a filmmaker with a penchant for horror, you’re probably also thinking about making a film. And really there’s no better time to do it. Vimeo and Lionsgate are putting on The Cabin in the Woods Spoof Horror Film Competition which is offering a $10,000 Grand Prize to the best satirical or comedic horror short. Blackmagic Camera Dynamic Range Stress Tests | Frank Glencairn | YouTube Shot some DR tests today. Nothing fancy or artsy, emphasis was on contrast handling (not on smooth camera moves - had that lightweight travel tripod with the crappy head again - but walking several miles with a 40lbs Vinten?) So I went out to the Park at mean noon sun. That, combined with a lot of trees is usual a receipt for DR disaster. Deep shadow

Post workflow for the Blackmagic Cinema Camera | Frank Glencairn I was always a sucker and evangelist for an uncompressed workflow till delivery. I did that (whenever possible) since over 12 years now, starting back in the SD days, on the advent of the first Decklink cards. Having said that, uncompressed recording was prohibitive cumbersome for most projects (though I did it on some higher end stuff) and usually I had to start with some compressed camera format, that I converted to uncompressed before I worked with it. Southwold shot on the Black Magic Cinema Camera | Den Lennie | Vimeo I shot this in a couple of hours on a day out to Southwold in Suffolk. This was the first shoot I ever did with the #BMCC. I used a Sigma 8-16mm lens a Canon 16-35mm f2.8 and a Canon L 70-200mm zoom. I shot RAW and converted the files to ProRes Proxy using DaVinci Resolve. I then edited it in Final Cut ProX and round tripped the XML back to Resolve 9 for the grade. I relinked the xml to the ori

Sony ICD-SX712 Digital Flash Voice Recorder I just found my digital audio recorder again, which is great news because its really useful. While I don't use it for video production recording, I often use it to record interviews for articles I write because the microphones in it are much better than the one in the iPad (the other device I use for such interviews.) But the problem is that the recorder is so small that I seem to loose it a lot. For long periods of time. This is the second time it has disappeared for more than a month, only to turn up in the pocket of a bag I forgot I put it in. Unfortunately its both a case of not putting it in the same place every time, and being so small it will fit in anywhere. I have multiple bags and - depending upon the situation - I will take a different combination of bags out to an event, and the recorder just gets thrown in to one of the pockets. When I come home, I don't usually unpack the bags straight away, and if I didn't