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Sony GV-D200 review

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Sony GV-D200 I've been using a Sony GV-D200 deck to transfer old Video8 and Hi8 tapes. Some of these tapes are over twenty years old, and no longer having a Hi8 camcorder that worked I was concerned that if I didn't do something about transferring them to a more modern format soon, I might never be able to. While Sony no longer make camcorders that use these tapes - that I know of - Sony does still sell the GV-D200 deck (or Video Walkman, as it's sometimes labelled.) They also offer the GV-D800, which is almost identical but adds a small LCD screen for about $120 more. I didn't think I'd need a screen since I was using this to capture to the computer, but you will need an external monitor when you first set it up. Physically, the device is small. At 5 7/8" wide, 5 3/8" deep and 2" high, it's the smallest video deck I've encountered. I used to have a Video8 deck that I thought was small; and it was twice as deep and twice as high. The t
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Response: Which iPhone to Get?

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In response to my iPhone musings, I got the following reader email which actually sums up a lot of my second and third thoughts too: You might have a point about the fancier camera, but otherwise I would buy the smaller model. Its screen is about the same size as that of my Nexus 4, and I don't feel at all like it limits me with a too-small screen. But I do sometimes stretch to get my thumb the reach to the other corner of the screen. It is plenty big for a phone. A phone is a pocket thing. (Well, in my case it lives an ancient REI soft sunglasses case that I have on my belt.) Ubiquitous, handy, convenient, almost always with me. Small is crucial for all of that. Certainly a large screen is cool, but you need a place to put it: don't break a fundamental feature of a pocket phone by getting too big. That is what your small tablet is for. I have my phone with me almost always. I have my Nexus 7 tablet with me nearly as much. The bigger screen is great, yet it fits in some
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Fixing Jello on the Phantom Quadcopter

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I've been experimenting with the DJI Phantom Quadcopter ($455.05) . One of the problems it can suffer from is a jello effect caused by vibration transferring from the airframe to the camera. This can be difficult to remove, as you'll see in the example below. Here, applying the Premiere Pro's Warp Stabilizer can actually make it look worse. I've written about the options for reducing this effect; one is to use some kind of anti-shake mount. These range in price and complexity from simple rubber insulators through to expensive brushless mounts. I tried a simple anti-shake mount, the  Anti Vibration Anti-Jello Vibration Isolator Low Profile Carbon Fiber Mount (below) and it does seem to make a difference. The two clips below show footage taken using the anti-shake mount. The first sequence is the "raw" footage; it still has some shaky moments, but that can mostly be removed using Premiere Pro/s Warp Stabilizer, as can be seen in the second clip. No
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