Boston SuperMeet Workshop Registration is up

The Boston SuperMeet is June 25th, and there's some free workshops you can sign up for (the SuperMeet itself is just $10.)

For registration, go to: Boston SuperMeet Workshops Registration

  • 10:00AM - 10:45AM Adobe: Adobe Creative Suite 5 Production Premium for Final Cut Pro Editors
  • 11:00AM - 11:45AM Adobe: Working with DSLR Video with Adobe CS5 Production Premium
  • 12:00PM - 12:45PM Adobe: 3D Stereoscopic
  • 1:15PM - 2:00PM Adobe: New Features in After Effects CS5
  • 2:00PM - 4:00PM Canon: Rodney Charters, ASC on Impact of HD-DSLR and Digital Tools in Cinema   
  • 2:15PM - 3:00PM Adobe: Adobe Creative Suite 5 Production Premium for Final Cut Pro Editors
  • 3:15PM- 4:00PM Adobe: Working with DSLR Video with Adobe CS5 Production Premium

Here's the write-up on the Rodney Charters workshop:

Rodney Charters, ASC on Impact of HD-DSLR and Digital Tools in Cinema
Canon Explorer of Light & Hollywood Director Rodney Charters discusses the new tools for Digital Cinema, how DSLRs are changing the film industry. Learn why photographers and directors are embracing this new technology. Charters is a seasoned Hollywood Director and Cinematographer of the hit FOX Series 24 among others.

About Rodney Charters:
On April 1 2004 Rodney Charters was invited to become an Active Member of the American Society of Cinematographers. This invitation to the ASC is a great priviledge and honour, as well as a prestigious hallmark in his career as a cinematographer.

As a self taught Mac guru, Rodney has embraced the remarkable changes taking place in the technological side of how movies are made. Working on some of the very first morphs to make it to the big screen with VFX Supervisor Jeff Okun on the the picture "Sleepwalkers" he learned to transform humans into cats and Chevy's into Fords.

It wasn’t until 2001, when a radical idea to shoot a show based in real time was conceived, that Rodney was tapped to shoot the hugely successful primetime drama 24 starring Kiefer Sutherland. It was Rodney’s keen understanding of documentary filmmaking that was needed to create the intense realism of 24 never before seen on a network primetime series.

In the years to follow, Rodney would become an Active Member of the American Society of Cinematographers, be nominated twice for an Emmy for Outstanding Cinematography, and become thego-to guy for the latest in camera and Apple technology. In 2008, Kodak Canada presented Rodney with the New Century Award for his services to the art of Cinematography.

Comments

Post a Comment

Popular posts from this blog

Sony GV-D200 review

Image
Sony GV-D200 I've been using a Sony GV-D200 deck to transfer old Video8 and Hi8 tapes. Some of these tapes are over twenty years old, and no longer having a Hi8 camcorder that worked I was concerned that if I didn't do something about transferring them to a more modern format soon, I might never be able to. While Sony no longer make camcorders that use these tapes - that I know of - Sony does still sell the GV-D200 deck (or Video Walkman, as it's sometimes labelled.) They also offer the GV-D800, which is almost identical but adds a small LCD screen for about $120 more. I didn't think I'd need a screen since I was using this to capture to the computer, but you will need an external monitor when you first set it up. Physically, the device is small. At 5 7/8" wide, 5 3/8" deep and 2" high, it's the smallest video deck I've encountered. I used to have a Video8 deck that I thought was small; and it was twice as deep and twice as high. The t
Read more

Response: Which iPhone to Get?

Image
In response to my iPhone musings, I got the following reader email which actually sums up a lot of my second and third thoughts too: You might have a point about the fancier camera, but otherwise I would buy the smaller model. Its screen is about the same size as that of my Nexus 4, and I don't feel at all like it limits me with a too-small screen. But I do sometimes stretch to get my thumb the reach to the other corner of the screen. It is plenty big for a phone. A phone is a pocket thing. (Well, in my case it lives an ancient REI soft sunglasses case that I have on my belt.) Ubiquitous, handy, convenient, almost always with me. Small is crucial for all of that. Certainly a large screen is cool, but you need a place to put it: don't break a fundamental feature of a pocket phone by getting too big. That is what your small tablet is for. I have my phone with me almost always. I have my Nexus 7 tablet with me nearly as much. The bigger screen is great, yet it fits in some
Read more

Should you buy the Sony NEX-FS100 Kit Lens?

Image
The Sony NEX-FS100 is available in two configurations: B & H : NEX-FS100U Camcorder only $4,999 B & H : NEX-FS100U (with 18-200mm lens) $5,599 But what does that extra $600 get you? It get's you this: Sony 18-200mm f/3.5-6.3 Zoom Lens for NEX Camera This lens is also available separately for $799.99, so at $200 off you'd think everyone would be jumping on it. But not so fast... In his article about switching from the Canon 5D Mark II to the Sony NEX-FS100 , Paul Antico  at Need Creative says of the kit lens: 7) Its 18-200 F3.6-6.3 kit lens absolutely sucks and should be avoided (thankfully, you can order it without one) [ 1 ] But is it that bad? At B & H 's site, 43 reviews give it an average of 4.6 out of 5 stars. That's not a bad rating, though many of these people are using it for stills, and the most common complaint noted is how large and heavy it is. Of course this feeling of size would be exacerbated when you put it on a tiny camera
Read more