This is the story of one man’s experience assembling and running a Hackintosh. For anyone unaware of this illicit, but not yet forbidden alternative to the Mac Pro and altnerative systems from Apple, it is a custom-built computer - one which would straightforwardly run Windows or Linux - with an installation of a slightly modified (hacked) Mac OS that will boot on non-Apple hardware, in clear violation of the terms of the Mac OS.
Sony F5 & F55 Scene Files from AbelCine | Andy Shipsides | AbelCine
The Sony F5 & F55 cameras are shipping in quantity now, and we’ve gotten a lot of requests for some custom scene files. I’ve put together five files in our usual flavors. They are designed both to change the cameras’ look and make matching the two cameras easier. The cameras handle colors very differently due to their different Color Filter Arrays (to learn more, read Mitch’s article on CFAs), so you’ll see some obvious differences in the files. My focus on these files was to match skin tones and give a nice overall look.
Training Your Eye – Lighting for Cinematographers | Shane Hurlbut | Hurlblog
Many of you have heard me talk about how I light to eye by either looking at the back LCD screen or a lighting monitor like an HP DreamColor. Lighting to eye is something that is based on experience and what you like esthetically. I trained my eye through the use of exposing film, not an LCD screen or a monitor, but a photo-chemical process and by the use of a light meter. Many say that the light meter is dead with digital. I disagree.
A Tale of Two Meters | Mark Vargo | Vimeo
How to meter and expose for the best of light, and the worst of light: how to use an incident meter and a reflective/spot meter.
End of an Era: Fuji Officially Ends Production of Motion Picture Film
| Dave Kendricken | No Film School
April 2, 2013
As previously announced, Fujifilm has stopped production of the majority of Motion Picture Film products by March, 2013.
We would like to thank you very much for your patronage during the long history of manufacture, sales and marketing of these products which will continue to be available until the inventory is exhausted. Please contact our worldwide distributors for availability information.
4K on your Sony FS700 for $1295? | Tony Reale | NextWaveDV
Convergent Design has gone a unique route in making a high-quality monitor with a built-in recorder that can be “unlocked”. For $1295 you get the monitor with no recorder functionality. For an extra charge you can purchase or rent a license to unlock recording options
Canon U.S.A. Announces Free Firmware And Application Software Upgrades For Select Cinema EOS System Cameras | CanonRumors
New ACES compatibility software for the Cinema EOS C500 and Cinema EOS C500 PL Digital Cameras will be available as a free download expected in June 2013. Additional Cinema EOS firmware upgrades, including a new 1,440 x 1,080 pixel recording mode at 35Mbps for the Cinema EOS C300 and Cinema EOS C300 PL Digital Cameras, are expected to be available as free downloads starting in October 2013
Canon Inc. Announces Development Of 35mm Cinema Prime Lens, Sixth In A Series Of Compact, Lightweight, Precision-Matched Lenses | CanonRumors
Canon Inc., the parent company of Canon U.S.A., Inc., a leader in digital imaging solutions, has announced the development of a 35mm cinema prime lens for large-format single-sensor cameras employing Super 35mm, full-frame 35mm, and APS-C size imagers.
Giving Credit Where Credit’s Due | RON DAWSON | Dare Dreamer
Credits count. They help potential clients determine whether or not to hire a filmmaker, producer or studio. To be fair to them and those involved, I encourage you to practice what I call good “credit-quette” (get it? Credit + etiquette = creditquette. I made that up all by myself. So please give me proper credit if you use that term elsewhere.
ProApps QuickTime Codecs v1.0.2 | Apple
This update adds the following video codecs for use by QuickTime-based applications:
- Apple Intermediate Codec
- Apple ProRes
- DVCPRO HD
- XDCAM HD / EX / HD422
- MPEG IMX
- Uncompressed 4:2:2
This update is recommended for all users of Final Cut Pro X, Motion 5, or Compressor 4.