Final Cut Pro News

How to quickly create a slideshow
dvcreators.net explains how to quickly create a slideshow from still images in Final Cut.
dvcreators.net: FCP Tutorial: The Down and Dirty Slideshow or “how to create a slideshow in a minute and a half”



Broadcast Compliance Filter Set
complianceSuiteFC is a set of professional broadcast filter and generator plug-ins for Apple Final Cut Studio and Final Cut Express. complianceSuiteFC consists of two tools; legalEyesFC and safeEyesFC and costs "From £695":

legalEyesFC is a professional broadcast legalizer that handles SD, HD and beyond and can legalise in PAL, NTSC (with or without 7.5IRE setup) and RGB domains. legalEyesFC also supports simultaneous composite and RGB domains and EBU R103 gamut.

safeEyesFC is a safe area generator plug-in for Final Cut and Motion which provides an extensive range of broadcast safe area markers covering all the requirements for SD, HD and 2K including 16:9 and 14:9 requirements in SD. safeEyesFC is provided with over 100 marker configurations, providing SMPTE, ITU-R, EBU and ARIB markers, and the ability to add user defined markers.
eyeHeight: complianceSuiteFC



MoPictive NYC Final Cut Filmmakers, Feb 23rd
Next meeting: Wed. Feb 23 @ B&H Superstore (2nd Floor)
Doors open: 6:00pm, Meeting starts: 6:30pm, Doors close: 7:00pm
Agenda:
  • Jay Ignaszewski - AJA Systems presents the KiPro Mini and other surprises
  • Bruce Sharpe - PluralEyes dual-audio sync software
  • Tips, Tricks and Member Input
mopictive: Next Meeting – Wednesday, February 23, 2011



Editing True Grit
The movie True Grit was edited using Final Cut Pro, and Apple has published a short article about it:
Associate editor Katie McQuerrey worked with the Coens in their primary cutting room while two assistant editors, Gershon Hinkson and David O. Rogers, manned a satellite editing room at the Post Factory in Manhattan. Post supervisor Catherine Farrell moved between both locations. Each editing room was equipped with two Mac Pro editing stations with Final Cut Pro, as well as a dedicated MacBook Pro for secure file exchanges. All systems were connected to an Apple Xsan shared storage network, which allowed the editors to easily swap projects.
Apple: Coen Brothers: Editing True Grit



Digital Camera RAW Compatibility Update 3.6
Apple has released Digital Camera RAW Compatibility Update 3.6, adding RAW image support for a number of cameras as well as addressing issues with processing for several cameras added in earlier updates. The update adds RAW image compatibility for the following cameras to Aperture 3 and iPhoto '11:
  • Canon EOS Rebel T3 / 1100D / Kiss X50
  • Canon EOS Rebel T3i / 600D / Kiss X5
  • Olympus E-5
  • Panasonic Lumix DMC-FZ100
  • Pentax K-r
  • Pentax K-5
It also addresses processing issues for the following cameras:
  • Nikon D7000
  • Nikon COOLPIX P7000
  • Panasonic Lumix DMC-GF1
  • Panasonic Lumix DMC-GH2
apple.support: Digital Camera RAW Compatibility Update 3.6






Comments

Post a Comment

Popular posts from this blog

Sony GV-D200 review

Image
Sony GV-D200 I've been using a Sony GV-D200 deck to transfer old Video8 and Hi8 tapes. Some of these tapes are over twenty years old, and no longer having a Hi8 camcorder that worked I was concerned that if I didn't do something about transferring them to a more modern format soon, I might never be able to. While Sony no longer make camcorders that use these tapes - that I know of - Sony does still sell the GV-D200 deck (or Video Walkman, as it's sometimes labelled.) They also offer the GV-D800, which is almost identical but adds a small LCD screen for about $120 more. I didn't think I'd need a screen since I was using this to capture to the computer, but you will need an external monitor when you first set it up. Physically, the device is small. At 5 7/8" wide, 5 3/8" deep and 2" high, it's the smallest video deck I've encountered. I used to have a Video8 deck that I thought was small; and it was twice as deep and twice as high. The t
Read more

Response: Which iPhone to Get?

Image
In response to my iPhone musings, I got the following reader email which actually sums up a lot of my second and third thoughts too: You might have a point about the fancier camera, but otherwise I would buy the smaller model. Its screen is about the same size as that of my Nexus 4, and I don't feel at all like it limits me with a too-small screen. But I do sometimes stretch to get my thumb the reach to the other corner of the screen. It is plenty big for a phone. A phone is a pocket thing. (Well, in my case it lives an ancient REI soft sunglasses case that I have on my belt.) Ubiquitous, handy, convenient, almost always with me. Small is crucial for all of that. Certainly a large screen is cool, but you need a place to put it: don't break a fundamental feature of a pocket phone by getting too big. That is what your small tablet is for. I have my phone with me almost always. I have my Nexus 7 tablet with me nearly as much. The bigger screen is great, yet it fits in some
Read more

Should you buy the Sony NEX-FS100 Kit Lens?

Image
The Sony NEX-FS100 is available in two configurations: B & H : NEX-FS100U Camcorder only $4,999 B & H : NEX-FS100U (with 18-200mm lens) $5,599 But what does that extra $600 get you? It get's you this: Sony 18-200mm f/3.5-6.3 Zoom Lens for NEX Camera This lens is also available separately for $799.99, so at $200 off you'd think everyone would be jumping on it. But not so fast... In his article about switching from the Canon 5D Mark II to the Sony NEX-FS100 , Paul Antico  at Need Creative says of the kit lens: 7) Its 18-200 F3.6-6.3 kit lens absolutely sucks and should be avoided (thankfully, you can order it without one) [ 1 ] But is it that bad? At B & H 's site, 43 reviews give it an average of 4.6 out of 5 stars. That's not a bad rating, though many of these people are using it for stills, and the most common complaint noted is how large and heavy it is. Of course this feeling of size would be exacerbated when you put it on a tiny camera
Read more