Visual Effects for "A Shine of Rainbows"

Dermot Shane of Sepia Films was VFX Supervisor on a small film “A Shine of Rainbows,” that has already won a few awards in the festival circuit, and is being released in Canada on April 9th, and the USA on April 21.

He put together a shot list based on the trailer that shows just some of the effects work done on “small” movies these days. In total there were 150+ VFX shots that were all completed within ten days of picture lock.

We started pre-viz in Avid DS Nitris, cut in Avid Media Composer, and ran VFX concurrent with editorial, using a DS Nitris as the main hub between vfx and editorial. All of the final comps were done in DS Nitris, with some from elements prepared in Nuke, and Maya, but over half of the VFX shots were completely done in DS Nitris.

We had three DS's working on VFX near the end of the show, and moving seamlessly between DS and editorial's Avid's. The assembly, DI and full color grade was done completely in DS with the advantage of being able to open up the comps to grade elements in context
Watch the trailer, and then watch it again while going through the shot list (below.)

iTunes Trailer: A Shine of Rainbows


00:14 Bus drives - this is a matte painting, with in camera elements of water and bus added
00:19 Cloudy sky & islands are added to shot
00:24 Robot seal's control rig removal, digital sand added to cover
00:25 Digital matte painting of the castle elements were done in Photoshop, seperate sky, water & clouds added then the camera move added
00:32 Camera was running off speed so there was a ton of flicker removed
00:37 Grey stormy water was replaced with sunny blue water
00:39 Rainbow, reflection, displacement, particles, all created and completed entirely in my computer
00:40 Rainbow, sparkles, light beams all done in the computer (DS & Nuke) as well
00:56 Series of CU's of Thomas, and a light was off speed so there was alot of flicker, that was removed.
01:05 A seal in a stormy ocean was added to a sunny blue ocean
01:10 The stones we built are enlarged by 200% and then fog added. The elements were shot in a 1/4 scale version of the set made entirely in black. Fog elements tracked in Boujou, ran through Maya, stones enlarged in Nuke, final comp in DS
01:12 The bird was shot diving for chinese food on the pier at Granville Island (where I work), and added to the scene shot in Ireland
01:13 Simple backround clean up, removed a modern house on the hill behind the actors
01:14 Boy falls, shot in daylight, dark sky and camera shake added
01:15 When stone comes to life, it's the director's face added to the stone texture, all done in computer
02:00 Sparkles are added to the cake, this is the only CGI element in the entire film, everything else was shot in camera, or 2D effects in the computer
02:09 Again elements (the falling sparkles is baby powder shot against a black screen, rather than use CGI for example) added to the scene
02:25 The sky has been replaced, and the sun added

Comments

Post a Comment

Popular posts from this blog

Sony GV-D200 review

Image
Sony GV-D200 I've been using a Sony GV-D200 deck to transfer old Video8 and Hi8 tapes. Some of these tapes are over twenty years old, and no longer having a Hi8 camcorder that worked I was concerned that if I didn't do something about transferring them to a more modern format soon, I might never be able to. While Sony no longer make camcorders that use these tapes - that I know of - Sony does still sell the GV-D200 deck (or Video Walkman, as it's sometimes labelled.) They also offer the GV-D800, which is almost identical but adds a small LCD screen for about $120 more. I didn't think I'd need a screen since I was using this to capture to the computer, but you will need an external monitor when you first set it up. Physically, the device is small. At 5 7/8" wide, 5 3/8" deep and 2" high, it's the smallest video deck I've encountered. I used to have a Video8 deck that I thought was small; and it was twice as deep and twice as high. The t
Read more

Response: Which iPhone to Get?

Image
In response to my iPhone musings, I got the following reader email which actually sums up a lot of my second and third thoughts too: You might have a point about the fancier camera, but otherwise I would buy the smaller model. Its screen is about the same size as that of my Nexus 4, and I don't feel at all like it limits me with a too-small screen. But I do sometimes stretch to get my thumb the reach to the other corner of the screen. It is plenty big for a phone. A phone is a pocket thing. (Well, in my case it lives an ancient REI soft sunglasses case that I have on my belt.) Ubiquitous, handy, convenient, almost always with me. Small is crucial for all of that. Certainly a large screen is cool, but you need a place to put it: don't break a fundamental feature of a pocket phone by getting too big. That is what your small tablet is for. I have my phone with me almost always. I have my Nexus 7 tablet with me nearly as much. The bigger screen is great, yet it fits in some
Read more

Should you buy the Sony NEX-FS100 Kit Lens?

Image
The Sony NEX-FS100 is available in two configurations: B & H : NEX-FS100U Camcorder only $4,999 B & H : NEX-FS100U (with 18-200mm lens) $5,599 But what does that extra $600 get you? It get's you this: Sony 18-200mm f/3.5-6.3 Zoom Lens for NEX Camera This lens is also available separately for $799.99, so at $200 off you'd think everyone would be jumping on it. But not so fast... In his article about switching from the Canon 5D Mark II to the Sony NEX-FS100 , Paul Antico  at Need Creative says of the kit lens: 7) Its 18-200 F3.6-6.3 kit lens absolutely sucks and should be avoided (thankfully, you can order it without one) [ 1 ] But is it that bad? At B & H 's site, 43 reviews give it an average of 4.6 out of 5 stars. That's not a bad rating, though many of these people are using it for stills, and the most common complaint noted is how large and heavy it is. Of course this feeling of size would be exacerbated when you put it on a tiny camera
Read more