INSTRUCTOR: FILMSYSTEMS’ David Catt has been working with Resolve for more than 20 years. He was a London-based colorist when he saw a demo of a DaVinci system in 1986 and quickly became one of the first colorists in Europe to work on DaVinci. He has worked for DaVinci as a demo artist and product manager before moving to FILMSYSTEMS.
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More on Resolve
Toni Gozum has written a post comparing Da Vinci Resolve, to Digital Vision’s Nucoda Film Master:
I find the two machines to be extremely different from each other, but neither is better than the other. I believe each has its own particular forte, and depending on what kind of work I’m going to do, that I’d prefer one machine over the other.ColorMeThis: Resolve vs. Film Master
What I’ve listed here aren’t the only features of the machines. That’d be too long a list to write about. These are just most of the features I often use for my projects.