DSLR Video News

The DSLR Stealth Factor
Andrew Reid argues that the important thing about DSLR video cameras is their small size and stealth abilities.
DSLRs like the GH2 are pretty far from industry standards and professional A/V equipment as we know it. They are a complete break from what has become the norm at broadcasters, rental companies or film studios both large and small. As video cameras they throw the baby out with the bathwater as far as operation goes (they’re photographic cameras, after all).
Convergence: Avoiding militants and dogma – The DSLR Stealth Factor



Lighting for Video
Adorama has put together a couple of videos on using HDSLRs, hosted by Mark Wallace. The first part focuses on shooting, and the second episode covers lighting (which will apply to any kind of camera you use.)
Episode 48: HDSLR Pt.1: Shooting Video W/ a DSLR: Adorama
Episode 49: HDSLR Pt.2: Lighting for Video: Adorama Photography TV



HDSLR shot movie sold to Paramount
“Like Crazy” a movie shot using the Canon 7D and just shown at the Sundance film festival has been sold to Paramount for $4 million.
planet5Dblog: Indie movie shot on Canon HDSLR “LIKE CRAZY” sold to Paramount for $4 million



Contest
Shane Hurlbut used DSLRs extensively in shooting a commercial for the Marine Corp. Now he's running a competition to pick which shot was made with which of three DSLRs or was shot with film.  Winner gets a copy of Adobe CS5 Production Premium. You have until tomorrow to enter.
We thought it would be fun to do another contest. See if you can figure out which is the 5D, 7D and 1D footage and which is the film footage above. Give us a break down shot by shot using the form below (there are 28 frames total). The most accurate entries will be named winners. First place wins Adobe CS5 Production Premium. Contest entries will be accepted up until Wednesday, January 26, 2011 at 11:59pm.
 HurlbutVisuals: Marines: Where’s the 5D Contest II, “For Us All”


Comments

Post a Comment

Popular posts from this blog

Sony GV-D200 review

Image
Sony GV-D200 I've been using a Sony GV-D200 deck to transfer old Video8 and Hi8 tapes. Some of these tapes are over twenty years old, and no longer having a Hi8 camcorder that worked I was concerned that if I didn't do something about transferring them to a more modern format soon, I might never be able to. While Sony no longer make camcorders that use these tapes - that I know of - Sony does still sell the GV-D200 deck (or Video Walkman, as it's sometimes labelled.) They also offer the GV-D800, which is almost identical but adds a small LCD screen for about $120 more. I didn't think I'd need a screen since I was using this to capture to the computer, but you will need an external monitor when you first set it up. Physically, the device is small. At 5 7/8" wide, 5 3/8" deep and 2" high, it's the smallest video deck I've encountered. I used to have a Video8 deck that I thought was small; and it was twice as deep and twice as high. The t
Read more

Response: Which iPhone to Get?

Image
In response to my iPhone musings, I got the following reader email which actually sums up a lot of my second and third thoughts too: You might have a point about the fancier camera, but otherwise I would buy the smaller model. Its screen is about the same size as that of my Nexus 4, and I don't feel at all like it limits me with a too-small screen. But I do sometimes stretch to get my thumb the reach to the other corner of the screen. It is plenty big for a phone. A phone is a pocket thing. (Well, in my case it lives an ancient REI soft sunglasses case that I have on my belt.) Ubiquitous, handy, convenient, almost always with me. Small is crucial for all of that. Certainly a large screen is cool, but you need a place to put it: don't break a fundamental feature of a pocket phone by getting too big. That is what your small tablet is for. I have my phone with me almost always. I have my Nexus 7 tablet with me nearly as much. The bigger screen is great, yet it fits in some
Read more

Should you buy the Sony NEX-FS100 Kit Lens?

Image
The Sony NEX-FS100 is available in two configurations: B & H : NEX-FS100U Camcorder only $4,999 B & H : NEX-FS100U (with 18-200mm lens) $5,599 But what does that extra $600 get you? It get's you this: Sony 18-200mm f/3.5-6.3 Zoom Lens for NEX Camera This lens is also available separately for $799.99, so at $200 off you'd think everyone would be jumping on it. But not so fast... In his article about switching from the Canon 5D Mark II to the Sony NEX-FS100 , Paul Antico  at Need Creative says of the kit lens: 7) Its 18-200 F3.6-6.3 kit lens absolutely sucks and should be avoided (thankfully, you can order it without one) [ 1 ] But is it that bad? At B & H 's site, 43 reviews give it an average of 4.6 out of 5 stars. That's not a bad rating, though many of these people are using it for stills, and the most common complaint noted is how large and heavy it is. Of course this feeling of size would be exacerbated when you put it on a tiny camera
Read more