Notes On Video

YouTube is all about making money these days. Umm…well, aren’t we all? They are now selling search terms , and movies are coming too, though one “respected Hollywood researcher” seems to think that iTunes will win out over YouTube and Hulu . "The issue comes down to ad-supported versus the paid model," Adams said. "For ad supported, the question is how many ads can you run and how much money can you generate per viewing? That has to be compared with the money made from rental or movie purchases. The content companies have all their content on iTunes and have shown complete support for the site despite their worries about Apple dominating the market. The studios aren't making the same content available for ad-supported services." Meanwhile, MySpace has a searchable video widget . Canon 5D Mark II Everyone's waiting for these to ship, so there' not a whole lot of news, though one forum post adds some information about how exposure is handled while shoo...

I’ve been waiting on the RED announcement, because I was a little concerned that it would confuse my interest in the Canon 5D Mark II. Finally, RED has announced their new plans for the DSMC (Digital Stills and Motion Camera) System . What they have done is designed a new product line that consists of different sensor blocks that work with interchangeable pieces. In theory, you will be able to buy the 5K model now, and upgrade to the 6K model next year. There’s some limitations (for example, the 3K uses a different lens mount to the 5K and 6K models.) If the marketing materials are to be believed , and from what I can see, the “cheapest” Scarlet - the 3K ($2,500) - features a C-Mount, not a Canon or Nikon mount, and isn’t expected until the Summer/Fall. If you want to use Canon or Nikon lenses, you have to get the 5K, which is $7,000. And that’s body only. You will need several other bits and pieces to get going. The other thing is that assembled together (see picture) it looks like q...

It’s a quiet news day, but the week could shape up to be more interesting. RED is supposed to make a big announcement on Thursday . Of course, they won’t actually be shipping anything; they’ll just be announcing new products that probably won’t turn up until sometime in the middle of next year, if that. The image – that shows what look like XLR audio inputs – is kind of interesting. But the really interesting thing is the ship date and the price. Meanwhile, MGM will be posting full-length movies on YouTube . I’m not sure I want to watch a whole movie at current YouTube resolution; maybe they’ll improve it for the movies. The other question; will we want to watch the ads? The only obstacles to Google and YouTube getting more studios to post full-lengt movies is Google's insistence on a particular ad format, say the sources. They declined to say which ad unit Google prefers. The other hurdle is that some studios are skeptical that users will accept all the ads that need to accompany ...

I wrote before that I haven’t been using Premiere Pro for some time, despite having a soft spot for it back in the day. The lack of a Mac version for a while really put the kibosh on that, but I was interested to see the CS4 update, and to read the review of it in MacWorld . It’s an academic interest only – I’m in no hurry to switch from Final Cut unless Premiere is totally awesome - so I just read the Pros and Cons list (it’s a long article!) Something leapt out at me right away: “no preview of HDV during capture.” Say what? It took a little while, but I found the passage: On Windows, Premiere Pro’s Scene Detect feature identifies points on the tape where the camera stopped between shots and captures the shots as separate master clips, each linked to a corresponding media file. But on the Mac, Premiere Pro captures a single master clip and creates a subclip for each shot. Both master clips and subclips work fine when it comes to editing. But because the subclips are linked to a singl...

David Michaud got three days in Tokyo to shoot with the Canon 5D Mark II . Canon has let him post the video that he shot using a beta version of the camera and a variety of lenses: 14mm f2.8 L 17-40mm f4.0 L 50mm f1.4 90mm f2.8 TS-E 135mm f2.0 L The video is very impressive. The depth-of-field effects are amazing, as are some of the wide-screen lens effects. The low light shots are really good, and there’s hardly any visual problems (there’s one shot where a train is going fast past a non-moving train, and you can see that it appears to be slanted on an angle, but it ‘s hardly noticeable and is the only "jelly" effect visible.) Check it out ! According to Northlight images Canon 5D Mk II page , Canon says that it is on target to ship the EOS 5D Mark II to US dealers by the end of November

Canon has upgraded the XH A1 and XH G1 HD camcorders with the announcement of the XH A1S and XH G1S HD. These are both tape-based cameras, and while they may be fighting a rear-guard action, Canon continues to believe in tape for some applications:

 "HDV tape format continues to be the most cost-effective medium for high-quality high definition video capture and storage," -Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A. XH A1S There have been a number of changes to functionality and image processing. Interface changes include a redesign of he manual adjustment rings, (focus, zoom and iris): three sensitivity settings for the manual focus ring; normal, fast, and slow zoom speeds, and acceleration and deceleration have been added when starting and stopping in the zoom key mode to achieve a more natural motion. 
 Frame rates include: 60i, 30F and 24F. (That's '24P' to you and me.)

Both cameras have two XLR inputs f...

Last week, Camcorderinfo pretty much panned the video capabilities of the Nikon D90. Now comes an article from B & H Photo by David Speranza that's much more positive. Yeah, they are there to sell hardware - so take it with a grain of salt - but it does offer another perspective. He gushes about the video quality you can get: I was able to achieve a razor-thin depth of field that would make a 1970s maverick film director proud. The colors, when properly white-balanced, were rich and full, and the dynamic range [...] went well beyond anything you'll get in a sub-$10K camcorder. Points out the problems you might encounter: You can set aperture manually with the Aperture Priority mode, but the camera still automatically adjusts ISO and shutter speed. To remedy this, exposure needs to be locked prior to shooting. [...] this is less a science than an art, and may take some trial and error. And is upfront about the limitations: ...there's no microphone input; autofocus is d...

Redrock DSLR cinema bundles Remember the accessory rack for the DSLRs announced by Redrock a week or so ago? Prices have now been announced. The DSLR Field Cinema Bundle is $1,995, while the DSLR Cinema Bundle is $2,445. The latter includes: microSupport baseplate with 1 pr 12" 15mm stainless steel rods (lightweight configuration 60mm center to center) microMatteBox (Deluxe Bundle including eyebrow and side wings) microFollowFocus Unit microHandle top handle for carrying, and low mode shooting microSupport Cage Ahh, if I only had the money... YouTube auto-translation If you have video's on YouTube with captions, now people can see the captions in other languages . Google Translate adds real-time machine translation to any caption tracks you upload. Now you can enjoy this video spoken in Italian, even if you don't understand Italian. Of course, if you're ever run things through machine translation, you'll probably not be that excited about it. RED Camera update On...

Blu-Ray Blues Well, Apple says no-way Blu-ray , but Psystar , those scrappy little Mac clone makers have announced...a 6x Blu-ray writer that is a $310 upgrade over a dual-layer DVD burn. Blu-ray writer? Say what? Blu-ray has already won the format war. Not only is there fully functional and mature support for Blu-ray in other operating systems but you can now rent Blu-ray discs from almost any rental chain. Blu-ray has become pervasive technology that is being widely adopted by consumers everywhere No word on software support though. 5D Mark II - Zacuto Mini Baseplate Just a few days ago, the Redrock DSLR Rig was mentioned - a rig for holding/operating a DSLR like a film camera. The price isn't even out for that, and here comes the Zacuto Mini Baseplate which offers many of the same features, though it adds a video screen and promises of better balance when holding the camera.

This guy talks funny...don't think he's from around here... But this YouTube video actually does a pretty good job of showing some of the features of the Canon 5D Mark II. I learned a couple of new things about the camera, and it confirmed some things I had heard. The camera has two auto-focus systems. It has the standard phase-detection AF system that meters off the mirror. There's also a contrast-detection system that's used during movie mode. It's a little slower than the phase-detection system, but does give auto-focus in movie mode. Note: There continues to be discussion about the AF system in the Mark II, and whether it has been improved over the original 5D. It appears that it has not (this video doesn't really confirm one way or the other); and while it was a capable system three years ago, the feeling is that it's not quite cutting edge today. He confirms it's a 4GB file size (just confirming that AGAIN!) 640 x 480 is the SD movie mode Finder i...

Bye Bye VHS JVC has ceased production of standalone VHS players . They still produce combo units, but this marks the end of stand alone VHS production in Japan. This, I guess, could mean that there's still standalone units being made in China. 6.41 million VCRs were shipped in Japan in 2000, the number had withered to 280,000 units by 2007, according to the Japan Electronics and Information Technology Industries Association I see RED Less than a month ago - right after the announcement of the Nikon D90 and Canon 5D Mark II - RED, the maker of the low-cost (comparatively) high-resolution Red One digital video camera announced that they were reworking their plans for a much lower cost digital video camera called Scarlet. They'd originally previewed the Scarlet, as well as hinted at plans for a DSLR as well. And now comes Jim Jannard — Red's CEO — announcing on RedUser forums that their new announcement on November 13th will blow everyone's sox off. I want to say that no...

Camcorderinfo.com has reviewed the Nikon D90 , with particular emphasis on the video capabilities. Unfortunately, the results aren't very pretty. While I expected the notes about "jelly video" I wasn't expecting the issues with over-heating that they reported. Manual controls are peculiar or unusable, auto focus is non-existent, and its 1280 x 720 maximum picture quality just doesn't cut it when compared to a dedicated HD camcorder. Recording videos for extended intervals also caused the D90 to run into overheating issues—prompting a swift shutdown of video mode. They did like the 24p mode for it's cinematic look, and they found that the low-light performance was reasonably good - though they had been expecting better - but in general they weren't impressed by it as a video camera . The 24 fps shutter speed does create a unique look, and it has a more cinematic feel than the 24P mode some camcorders offer. However, the D90 has way too many problems with vi...

Now of a kid in school that's into film/video making? You might want to tell them about the 2008 Insomnia Film Festival . On November 15 at 9:00 a.m. EST, the clock starts ticking. Apple will post the list of required elements for entries in the 2008 Insomnia Film Festival. Then you and your team will have the next 24 hours to make and upload your 3-minute movie. That's the easy part. [...] Earn the #1 rating from either the public or the pros, and you'll land one of two grand prizes. Everyone on your team will get a MacBook Pro, Final Cut Studio 2, Logic Studio, Shake, and a year's worth of One to One personal training to help you use them. Note that: All five registered team members need to be current students in the U.S. attending high school (9th through 12th grade) or an accredited college or university

Seems that Ken Rockwell really likes the Canon 5D Mark II ; if you're shooting landscapes. If it's news or sports, stick with Nikon. It's an interesting page, but I'm not so sure I can agree with his comments about the D90 being preferred for theatrical release. The Nikon D90's 24 FPS rate is ideal for theatrical release; the Canon's 30-frame rate will look more like video while the D90's 24-frame rate will look more like film. While the frame rate of the D90 suggests it's better for going to film, the "jelly" issue, and the lower resolution make me think that the Canon 5D would be a much better choice; even if you have to do a translation to 24 fps. Or course, if you are going to film, maybe a "real" video camera that shoots at 24p would be the better choice.

Well, it turns out the specs were right. If you do a movie at 1280 x 720, the frame rate must be 24 fps . If you do it at 30 fps (even if the transfer rate is the same) the Apple TV won't even "see" the movie. So it turns out that 960 x 540 @ 30 fps is probably the best choice for transferring HD video to the Apple TV.

While I'm still waiting to see more in-depth reviews about just how good the Canon 5D Mark II video is, there's no doubt that it seems to promise pretty awesome video capabilities. Might be good enough to use to shoot "serious" video? Some people think so, but let's face it, using an SLR to shoot video - even on a tripod - is probably going to be a little bit of a challenge. The camera is designed for shooting stills more than for shooting video. Enter Redrock Micro, who has come up with a rig to hold, and control a DSLR (and to make you look more like a "real" movie maker too!) The Redrock video DSLR Bundle (catchy product name) offers the following features: Follow focus for accurate and repeatable focusing Swing-away mattebox for light management and easy access to changing lenses Shoulder mount and handgrips for steady handheld use Support cage for enhanced stability and low angle shot It's going to be available starting October 28th (price may...

Apple TV I bought an episode of Top Gear last night just to see what it was like. I would have bought the whole season, but that takes up 5GB, and I just don't have that much free space on my iBook right now ( ouch!) A one hour episode is 546MB. Quality; well it's certainly acceptable, but not as good as a DVD It turns out that while I can synch (i.e. copy) content from one iTunes library, I can also stream another iTunes library. Which means that maybe I'll buy Top Gear on the other computer...the only problem is that the computer has to be on to stream... Looks like 1280 x 720 @ 30 fps doesn't work. I made a test movie, and Apple TV didn't like it. I have to remake the movie at 24fps just to confirm that's the issue, and I didn"t mess something else up! Sony HDR-FX7 Sony dropped the price on the HDR-FX7 by a grand; it's now $1,999. Right now B & H lists the new price as $1,999, and the used price is $2,199! I have - and like - the HDR-FX1. Unfo...

I often like to play back video I’ve edited on an HD television that’s down the hall from my editing suite (that sounds a bit pretentious; the suite is a Mac in my office.) In the past I’ve been burning HD content onto an anamorphic DVD, which works fine – even if it takes a bit of time – though there is some noticeable resolution loss. For ages, I’d been thinking that if I had a Blu-ray burner and player then it would provide a higher-resolution solution. But the failure of Apple to deliver on Blu-ray support has caused me to reconsider my options, and perhaps come up with a better solution. Apple TV Okay, so the Apple TV is no Blu-ray. In fact, it’s highest resolution is 720p; 1280 x 720 @ 24 fps 5 mpbs, or 960 x 540 @ 30 fps 5 mbps. That’s not Blu-ray resolution, but it’s a bit better than an anamorphic DVD. And there’s other advantages too; most noticeably the savings in time compressing and burning, and also the savings in not burning as many DVDs. I’ll also include the ease of ...

The speed with which new toys come out is truly dizzying. Was it just this January that Casio's EX-F1 was being talked about excitedly because of it's ability to do super-slow motion? And now, heres the EX-FH20 offering similar features in a smaller footprint. It's available for $599 from several online reatilers. Unfortunately, assuming that the video quality is similar to the EX-F1 (which went way down in resolution and way up in noise as the frame rate went up) it's ability to capture short sequences at high frame rates is not that useful. Fun to post short sequences on the web - maybe - but probably not much use for anything else. It does claim 720p (1280 x 720 pixels) video though.

I've been using YouTube for a couple of years to post videos, and I'm generally happy with it; it's easy to use, has a big audience, and you can embed video in other pages easily. And most people seem to have no trouble with it, so if it ain't broke, why fix it? Except that most stuff I do these days is in HD format, and YouTube doesn't support that yet. I have to letterbox things (or pan-and-scan) before posting them. So the quest for an alternative begins. Vimeo looks interesting. They support 720P (1280 x 720), and you have the option of a Free Account, or Vimeo Plus , the latter giving you more storage space (500MB vs 2GB), more uploads (1 a week vs unlimited) and other features for $59.95 a year. What? We have to pay?! While I can't find it on that page, camcorderinfo says that you are limited to 5000 streams . Is that a year? Month? Simultaneously? Well, I'm going to have to do some experimenting with it to see how it compares to YouTube. There are ot...