Notes On Video

It’s hard to get excited about a camera I know I will never buy ( okay, maybe not that hard ) but I keep finding articles about the Sony PMW-EX3. The EX3 is a “serious” camera (since it supports interchangeable lenses and costs over $13,000) so we need some serious people to look it over. Alistair Chapman provides a very deep overview of the features , that is in English, even if the navigation isn't! As one obviously favored by Sony, his review might be a little too positive (though it is early days to really evaluate it) but he covers all the ins and outs of the camera. Michael Perlman does a much briefer hands on at camcorderinfo, while Philip Bloom covers his own exploits using the camera for some testing, and has a video you can watch! All good fun, though as one forum poster noted; $13,000 seems like a lot when you compare it to offerings from Red One.

The Casio EX-F1 would be just another 6MP, 12x digital camera if it wasn't for one neat trick: burst shooting capabilities that promise 60 frames per second at full resolution and up to 1200 fps at 336 x 96. The high-frame rate is cool, but it comes at a price: as you go higher, the frame size gets smaller (and the quality of the image itself progressively gets worse too.) Gizmodo has some test clips , which show that at 512x384 and 300 fps you can get a pretty good image. The 600 fps and 1200 fps clips aren't nearly as good; the frame is small, cropped strangely, and the image gets darker and more pixelated. I would consider the 1200 fps material unusable. It would be interesting to take a 300 fps clip from this camera (which, at 512 x 384, is close to - but not exactly the same as - Standard Def) and compare it to a clip captured with a regular camera and slowed down using editing software. My guess is that the EX-F1 clips would be useable; and a better effect.

B & H sends out an electronic newsletter and it often contains some nice little articles showing you things you can spend your money on(!) The latest one has a short piece on how to get better sound without a sound man . There are some good ideas about setting a mic up on a boom - and some interesting gadgets -(though personally, a wireless mic is a lot easier to use if you don't have a soundman.) There's also an article that explains the differences between CCD and CMOS cameras . After reading it, I couldn't help but think that maybe CCD's where better than CMOS (even though manufacturers seem to be moving to CMOS more and more.) Sometimes, the more you know, the less you understand.

I’ll admit to being a Red One skeptic from the beginning. Maybe I just don’t like hype or freaky fan boys, but something turned me off, and I was skeptical that they could even pull it off. But they did release their Red One 4K Camera on time, Peter Jackson is a fan , and so are others ; it’s getting harder to maintain that cool indifference. And now they have gone and announced the Scarlet , a 3K resolution camera that they expect to release next year at a price point under $3K. Not only that, it will support frame rates from 1-120fps and a 180 fps burst mode, Compact Flash storage and full manual shooting modes are promised, as well as wi-fi control ( hmmm… ) It’s enough to turn the head of any skeptic; even if the design of it does look a little like some underwater diving camera. Camcorderinfo.com has an interview with Ted Schilowitz from Red One, who seems to think that soccer moms might want to use the camera. I’m not so sure about that; an 8X zoom seems a little on the whimpy ...

It’s NAB and everyone is making announcements! Seems like Sony just likes to torment me. First came the PMW-EX1, a really cool looking semi-pro camera that records to solid-state SD cards. Part of the reason I like it – perhaps – is that it has the same basic camera shape as my HDR-FX!; just squashed down a bit. I’d really like to get away from tape, but at $6,000 the EX1 is out of my reach. Well, now they’ve gone and announced the PMW-EX3 (what, no EX2?!) which is going to cost $13,000 and has interchangeable lenses. The body has also become more angular at the back, and I wonder if that will make it any better for shoulder shooting. PMW-EX3 On the bright side, it makes the PMW-EX1 seem almost affordable. Or, you have until the third quarter of 2008 to save for the EX3. Though I have a Panasonic VCR that has lasted for years, I haven’t had many dealings with their cameras. Maybe that should change as Panasonic went and announced the solid state HPX-170 which records 1080 HD and SD t...

There's an "unboxing" at Tracy and Matt's Blog of the HDR-TG3E (the Europena version of the HDR-TG1. I often find these unboxings pointless, but there were some interesting snippets: First impressions are that this is an amazingly small and light camcorder. The size and weight isn't achieved at the expense of build quality either as the TG3 looks and feels very solid, probably thanks to the chassis being made from titanium. [...]I recorded a few sample clips in low-light conditions last night and I'm very impressed how well the TG3 performs. [...] there are no obvious compression artefacts. As the camera uses no moving parts for recording there's no tape or DVD motor noise on the playback and it also means that recording is silent.

Some interesting bits of video news from the last few days: Canon has announced updates to it’s XL H1 camcorder Building on the success of its acclaimed XL H1 High Definition (HD) camcorder, Canon U.S.A., Inc., a leader in digital imaging technology, has introduced the new shoulder mount XL H1S and XL H1A HD camcorders , which include new advanced features requested by professional users for improved operation and image control. Canon's new XL H1S and XL H1A camcorders feature an updated Canon 20x HD Video Lens with three independent manual adjustment rings (focus, zoom and iris), as well as enhanced manual focus and zoom control. Wicked cool looking, and wicked expensive. Expect the XL H1S HD in early June for $8,999, and the XL H1A will be out in mid-July for $5,999. Firewire news (“I’m not dead yet!”) I love Firewire; it’s how I connect all my video cameras to my Macs. When it first appeared it was amazing because of one thing: it just worked. Suddenly I could get video into a c...

Apple has just shipped Final Cut Server , almost a year after they were supposed to ship it. "Final Cut Server automatically catalogs large collections of assets, allows searching across multiple disks and SAN volumes, and enables viewing, annotation and approval of content from anywhere using a PC or Mac." There's a bunch of interesting tutorials on Apple's website. Cool that you can add a single Final Cut project file to server and it will automatically upload all source materials. At $999 for 10 users, it makes sense for a work group, but hard to justify for individuals. Like Final Cut Pro, you need a Mac to run the Server (OS X 10.5+) but there is a Windows client that works with the server (I guess for those creating assets on Windows machines.)

It started off with a short article about Sony’s new tiny, AVCHD camcorder the HDR-TG1 . I saw a mention of it on Engadget, and Camcorderinfo had this longer article that I went to check out. The camera is built in the pistol-grip style; it’s very small and supports 1080i. The HDR-TG1 looks cool, even if it does record to Memory Stick, a format I have so far been able to avoid. Not that I have anything specifically against Memory Stick other than the fact that I already have about 20 GB of Compact Flash and SD cards. I was checking it out –not really serious about getting one- when I saw an ad for the Manfrotto MODOSTEADY . This is a shoulder support/counterbalancing stabilizer/table tripod all-in-one! I’m always interested in ways to improve the stabilization/carrying of camcorders, and Manfrotto makes good stuff; even if it is often expensive. A look at B and H Photo’s website revealed just three reviews. Two were basically positive: This is a nice versatile product. Works as a shou...

I posted before about the Sony XDCAM EX, a really cool, three-chip HD camcorder that records to solid-state memory, which I just can't afford. But I'd really like to get another HD camcorder so I can do a three camera shoot. Sony's HVR-HD1000 looks interesting. Here's the Pros and Cons (from my perspective): Pros: 1. Relatively inexpensive (about $1,600 right now) 2. Records to minitapes. (While recording to solid state memory is appealing, until I have a better way to backup and archive large amounts of material, tapes are an inexpensive and attractive medium. Still, if I get this, I wouldn't be surprised if it's the last tape-based camera I buy.) 3. My other cameras are Sonys, so I should be able to figure out the thing and colors probably match better than buying another brand. 4. I really like using a shoulder mount camera for some things, and the other two cameras don't really work well that way. 5. To the uninitiated, it looks like a "real" c...

The battle for the High Def Disc format has been decided: Blu-ray has beaten HD DVD. It had been a muddled and scrappy fight, with studios and hardware manufacturers lining up on either side. For over a year, each had minor victories, but it seemed that the war could go on for ever. It was surprising how quickly it ended. Warner announced that they were going Blu-ray exclusively a few days before the January CES show, and it was all down hill from there. Walmart, Best Buy and others quickly followed suit, and Toshiba saw the writing on the wall and pulled the plug in February. Arguments were made about the pros and cons of each format, but a compelling case could be made for either format. In the end, is appears to be Sony’s PS3 that made the difference. Though it wasn’t the big success it was supposed to be as a game box, every unit included a Blu-ray player. And while sales of the set-top HD DVD and Blu-ray players ran about even – HD DVD often selling slightly better – PS3 sales swu...

Sony announced the PMW-EX1 HD video camera months ago, but it’s only in the past month that articles about it have started to appear, and it still seems to be in pre-order status. And first things first, this is an expensive toy; $6,699 is the price at the moment, putting it out of reach of the video hobbyist. But what a camera. Sony sells a variety of HD camera’s, and this one bridges a gap between their semi-pro cameras and their true pro cameras. On the semi-pro side, existing cameras like the HDR-FX1 and HVR-Z1U feature three chips, a fixed lens, record to tape (MPEG-2) and cost about $3,000. In size and shape they are very similar to the PMW-EX1. Then you jump to the professional cameras like the PDWF330, which feature interchangeable lenses and record to optical discs using Sony’s XDCAM format. But it’s a big jump; $15,000 is at the low end for these cameras. For me, the intriguing thing about the professional XDCAM cameras is the move away from tape based recording. Except for t...

I've just spent some time playing with Photomatix an interesting little tool for creating High Dynamic Range images. What? If you have a digital camera, you probably know that they have a very limited dynamic range. Imagine you are taking a picture of a person sitting under a sun umbrella. If you set the exposure for the person, the surroundings will be over exposed. Set exposure for the surroundings, and the person will be underexposed. No matter how you adjust the settings, the camera doesn't have enough dynamic range to capture detail across the scene. HDR photography is kind of a trick. Put the camera on a tripod and take three (or more) photographs; one correctly exposed, one under exposed and one over exposed. Then merge the three images to create a single image with a higher dynamic range. That's the basic theory. How? Well, pretty simple really; get a camera and a tripod. Many digital cameras have an auto exposure bracket function; turn the feature on by setting ho...

The good news; an hour of video may only be 8GB (as opposed to 13GB for an hour of HD video saved to DV tape.) The bad news; someone at Sony quoted the 'less than $8,000' price tag, which is not encouraging!

If you follow HD video production , or film production, then you have probably heard of the RED ONE cameras . These are low cost (if you consider under $20,000 low cost), 4K resolution digital video cameras. There's been a lot of excitement about these cameras over the last year or so. I've always been a little skeptical - not that it matters a wit; I'm not spending $17k on a camera in the near future - but it seemed that the sites that were always getting excited about these cameras were always posting 3D rendering's of the camera. I mean, come on , a 3D picture does not mean your boat has come in! Anyway, it's looking more and more real now that Peter Jackson has shot a short feature using a couple of the Red prototype cameras. Crossing the Line is set in World War I, though it was shot in Masterton New Zealand (which was not a location of the original festivities.) The camera fan boys seem to think this camera is going to turn the industry on it's head. Sony...

A report on MacNN suggests that Apple won't ship any iMac that supports Blu-ray until 2008 . Whether the same holds true for the desktop line is unclear. I've been eagerly awaiting Apple shipping hardware and software that supports Blu-ray (or HD DVD even!) so it's a little dissappointing; though it does mean I don't have to worry about finding the money to actually buy the hardware for a while!

TalkingPointsMemo has an interview with John Kerry about his new book. Whether that's your thing or not, watch to the end of the clip to see a bit of back stage at The Colbert Report . It's particularly interesting to see Colbert checking to see that Kerry understands the show, and explaining a 'bit' that they might do.

News.com is reporting that Google is close to releasing a filtering system that would prevent copyright content from being uploaded to YouTube . The system, called Claim Your Content, will automatically identify copyright material - though how it does this was not explained.

Always wanted to put together your own television series? Well, here's your chance: The “ Xbox LIVE Originals” contest will invite a wide range of artists and Xbox users to create a 5 to 15-minute pilot episode introducing an original television series. The pilots may be live-action, animated or both. All entries must be submitted before June 29th, 2007. A selection of standout finalists will be featured exclusively on Xbox LIVE Marketplace starting in July. The winner of the contest will receive a $100,000 deal with Xbox LIVE to create a six-episode series based on the short pilot as well as an exclusive screening event at the 2007 New York Television Festival.

Well, it's NAB, so that's hardly surprising, but there's a bunch of interesting things that caught my eye: a) Apple announced Final Cut Studio 2 . Another upgrade expense, but as always they seem to throw in some cool new features that you feel like you just have to have . I haven't looked too closely, but the feature that is supposed to remove camera shake sounds very neat. b) Microsoft wants everyone to stop using that pesky Flash format for streaming video. So they have come up with Silverlight , which is cross platform (for the moment; I'm sure once they put Flash out of business they'll dump that pesky Apple support.) The big plus for this one is it's support for HD, but if it just fixes the many synch problems that Flash has, then people will probably jump at it.. c) Meanwhile, Adobe wants to bring Flash video to the desktop . The Adobe Media Player (hmmm...interesting name) will "let users subscribe to and play video podcasts published with RSS (...