- Comparing the AG-AF100 and PMW-F3 by the charts. Adam Wilt does some chart tests on these two cameras, and also compares them with the Alexa and RED cameras. Finds lots of trade-offs and no perfect solution. (though look at that chroma moiré on the PMW-F3!) AG-AF100 and PMW-F3 on the Charts. No Film School also interprets the results: The Sony F3 Put to the Test: 12+ Stops of Dynamic Range and a Bit of Aliasing
- Meanwhile Hello World Communications posts a lens flare comparison on the PMW-F3 using three sets of lenses; Arri Ultra Primes, the Sony PL's and Zeiss CP 1 1enses at 35mm (the Arri was a 32mm), 50mm and 85mm. Vimeo: Sony PMW-F3 Flare Test
- Scott Simmons at StudioDaily wonders if the NLE should be sold as a modular solution. The NLE as a Modular Product. This sort of echoes an earlier post at No Film School too: Will Apple Split Up Final Cut Studio and Sell the Components a la Carte?
- Adobe has created a web page devoted to DSLR Video Production
- Photographer Jeff Hutchens tells Zacuto what he thinks of the Zacuto Double Barrel and the Z-Finder Pro 3x: One Man Doc Crew
- Edward Burns mentioned my compilation of his Indie Film Making Twitter Q&A and I got 14 more followers in half a day. Now to do a Charlie Sheen compilation...
- Man shoots video with iPhone 4, edits with iPad2; "Had he not had the iPad 2, Stephens says, he probably would have just uploaded the raw footage from his iPhone." Slashgear: iPhone 4, iPad 2, and iMovie Make Breaking News Footage
- And if you're thinking of buying an iPad2 yourself [Good luck! -Ed] Paul Antico at Need Creative takes a look at the iPad 1 & 2 as a tool for digital visualmakers: The IPad 1 & 2 For Digital Visualmakers. AppleInsider reviews the iPad 2 as well: In-depth Review: Apple's iPad 2 running iOS 4.3
- Title Design: Ian Albinson put together a three minute movie for the SXSW presentation "Excellence in Title Design" that's a history of movie title design: Vimeo: A Brief History of Title Design
- Alexis van Hurkman has posted a series of photos showing the unboxing of a DaVinci Resolve control surface: DaVinci Resolve Control Surface Unboxing
- Philip Hodgetts thinks that cameras like the RED Epic mean we don't need lighting to produce an image anymore - just to create mood: Why do we need lighting anymore? [Updated]
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